The Book-Bills of Narcissus: An Account Rendered by Richard Le GallienneLe Gallienne, Richard
General
The Book-Bills of Narcissus: An Account Rendered by Richard Le Gallienne
Le Gallienne, Richard
Fiction
'Send not a poet to London,' said Heine, and it was a true word. At
least, send him not till his thews are laced and his bones set. He may
miss somewhat, of course; there is no gain without a loss. He may be in
ignorance of the last _nuance_, and if he deserves fame he must gain it
unaided of the vulgar notoriety which, if he have a friend or two in the
new journalism, they will be so eager to bestow; but he will have kept
his soul intact, which, after all, is the main matter. It is sweet,
doubtless, to be one of those same mushroom-men, sweet to be placarded
as 'the new' this or that, to step for a day into the triumphal car of
newspaper renown, drawn by teams of willing paragraph-men--who, does it
never strike you? are but doing it all for hire, and earning their bread
by their bent necks. Yet for those to whom it is denied there is solid
comfort; for it is not fame, and, worse still, it is not life, 'tis but
to be 'a Bourbon in a crown of straws.'
If one could only take poor foolish Cockneydom right away outside this
poor vainglorious city, and show them how the stars are smiling to
themselves above it, nudging each other, so to say, at the silly lights
that ape their shining--for such a little while!
Yes, that is one danger of the poet in London, that he should come to
think himself 'somebody'; though, doubtless, in proportion as he is a
poet, the other danger will be the greater, that he should deem himself
'nobody.' Modest by nature, credulous of appearances, the noisy
pretensions of the hundred and one small celebrities, and the din of
their retainers this side and that, in comparison with his own
unattended course, what wonder if his heart sinks and he gives up the
game; how shall his little pipe, though it be of silver, hope to be
heard in this land of bassoons? To take London seriously is death both
to man and artist. Narcissus had sufficient success there to make this a
temptation, and he fell. He lost his hold of the great things of life,
he forgot the stars, he forgot his love, and what wonder that his art
sickened also. For a few months life was but a feverish clutch after
varied sensation, especially the dear tickle of applause; he caught the
facile atheistic flippancy of that poor creature, the 'modern young
man,' all-knowing and all-foolish, and he came very near losing his soul
in the nightmare. But he had too much ballast in him to go quite under,
and at last strength came, and he shook the weakness from him. Yet the
fall had been too far and too cruel for him to be happy again soon. He
had gone forth so confident in his new strength of manly love; and to
fall so, and almost without an effort! Who has not called upon the
mountains to cover him in such an hour of awakening, and who will
wonder that Narcissus dared not look upon the face of Hesper till
solitude had washed him clean, and bathed him in its healing oil? I
alone bade him good-bye. It was in this room wherein I am writing, the
Public-domain text, read in full here on John Shaqi.
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