The Book: Its History and DevelopmentDavenport, Cyril
History
The Book: Its History and Development
Davenport, Cyril
Bookbinding; Books; Books -- History; Printing -- History
Velvet is the most interesting, as its use is the most ancient, of
any of these textile materials. It is strong and beautiful, the fur or
pile being produced in a very curious manner. Two warps are used in
the manufacture of the fabric, and small hollow brass wires, slightly
flattened at the sides, and having a groove along the top, are inserted
transversely under the raised “pile” warp at intervals as the weaving
proceeds. These wires keep the thread in the form of upright loops,
resembling those which can be seen on a Brussels carpet on a larger
scale. The wires are then cut out by drawing a sharp specially-designed
knife called a truvat along the groove at the top. The consequent
separation of the warp threads which formed the rows of loops now forms
the pile, each thread standing upright. It is wonderful how well velvet
lasts, and what hard wear it will stand before all the pile is worn
away.
Books bound in velvet are not uncommon in Dutch work; they are
sometimes inlaid in differently coloured velvets, and sometimes
embroidered. In France books have rarely been bound in velvet, in Italy
and in Germany still more rarely.
In England, however, there has been a considerable output of velvet
bindings. Examples still exist that were made in the fifteenth century
for Henry VII., whose library was in all probability entirely bound in
this material. Nothing earlier than Henry VII.’s books are now known
of English bindings in velvet, but these are so fine that it is likely
enough that earlier work of the kind was done in the case of very
choice manuscripts.
Not only are Henry VII.’s books, which are still in their original
covers, in marvellously good condition, but they are also among the
most decorative bindings that have ever been made, here or in any
other country. Fine examples may be seen in the library at Westminster
Abbey, at the Record Office, and in the British Museum, and in every
case their beauty and interest well repay the trouble of obtaining
access to them.
These volumes all are in the same style, but they vary in detail. All
I have seen are in red velvet, and have metal bosses in the centre and
smaller ones in the corner.
[Illustration: FIG. 77.--English embroidered book, velvet. Made for
Henry VIII.]
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