The Book: Its History and DevelopmentDavenport, Cyril
History
The Book: Its History and Development
Davenport, Cyril
Bookbinding; Books; Books -- History; Printing -- History
In 1851 some curious stone moulds were found at Hartley Castle by Sir
George Musgrave, and one of them was undoubtedly used for casting
lead “horn” books, and similar moulds have been found in Germany; the
English ones may have been made about the earlier half of the sixteenth
century.
But more curious devices were found on the other side of the same piece
of stone: these are undoubtedly the emblems of saints’ days as shown on
clog almanacks of the same period, so that the horn books may possibly
have originated from the makers of cast leaden almanacks.
Horn books were also cut in ivory or bone, often with designs engraved
on the back or on the handle. The lettering and devices were originally
run in with heelball or some such material. They were also made of
boxwood with letters burnt in, or engraved pewter, or gingerbread, and
sometimes covered in paper with panel stamp impressions in blind or
black ink.
Several of the later seventeenth and early eighteenth century horn
books were covered with leather and stamped in blind, gold, silver,
or, in Dutch examples, Dutch metal, which nearly always turns black,
from panel stamps; sometimes the designs were arabesques or flowers,
and at other times we find figures of saints or kings--St. George and
the Dragon, mermaids, and the like--and several of Charles II. on
horseback, the Duke of Cumberland, and other great people.
These same stamps are also often impressed on paper backs as well as on
leather.
The late cardboard horn books either leave out the cross at the
beginning or replace it by a meaningless X; they also often show
additional alphabets with little wood-cut illustrations. At last the
horn book form is quite lost, and at last we find folded pieces of
cardboard with stamped or marbled backs, retaining only the alphabet to
show that they are survivals.
WORKS TO CONSULT.
BLADES, W.--Books in Chains. _London_, 1892.
DAVENPORT, C.--English Embroidered Bookbindings. _London_, 1899.
DAVENPORT, C.--Book Edges. (Bibliographica.)
DAVENPORT, C.--Little Gidding. (Bibliographica.)
DAVENPORT, C.--Royal English Bookbindings. _London_, 1897.
LABARTE, J.--Hist. des Arts Industriels au Moyen Age. _Paris_, 1864-66.
LACROIX, P.--Le Moyen Age et la Renaissance. _Paris_, 1848-51.
LIBRI, COUNT G.--Monuments Inedits. _Londres_, 1862.
PRIDEAUX, S. T.--Historical Sketch of Bookbinding. _London_, 1893.
TUER, A.--History of the Horn Book. _London_, 1896.
WOOLNOUGH, C. W.--The Art of Marbling.
CHAPTER VII. LEATHERS.
Vellum--Calf--Pig skin--Sheep skin--Goat skin--Seal skin, etc.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account