Books; Books -- Literary collections; Books in literature
The best rule of reading will be a method from nature, and not a
mechanical one of hours and pages. It holds each student to a pursuit of
his native aim, instead of a desultory miscellany. Let him read what is
proper to him, and not waste his memory on a crowd of mediocrities. As
whole nations have derived their culture from a single book,--as the
Bible has been the literature as well as the religion of large portions
of Europe,--as Hafiz was the eminent genius of the Persians, Confucius
of the Chinese, Cervantes of the Spaniards; so, perhaps, the human mind
would be a gainer, if all the secondary writers were lost--say, in
England, all but Shakespeare, Milton, and Bacon--through the profounder
study so drawn to those wonderful minds. With this pilot of his own
genius, let the student read one, or let him read many, he will read
advantageously....
The three practical rules, then, which I have to offer, are,--1. Never
read any book that is not a year old. 2. Never read any but famed books.
3. Never read any but what you like; or, in Shakespeare's phrase,
No profit goes where is no pleasure ta'en:
In brief, sir, study what you most affect.
Montaigne says, 'Books are a languid pleasure;' but I find certain books
vital and spermatic, not leaving the reader what he was: he shuts the
book a richer man. I would never willingly read any others than
such.--R. W. EMERSON. _Books._
A DIET OF BOOKS
I would not be hurried by any love of system, by any exaggeration of
instincts, to underrate the Book. We all know, that, as the human body
can be nourished on any food, though it were boiled grass and the broth
of shoes, so the human mind can be fed by any knowledge. And great and
heroic men have existed, who had almost no other information than by the
printed page. I only would say, that it needs a strong head to bear that
diet. One must be an inventor to read well. As the proverb says, 'He
that would bring home the wealth of the Indies must carry out the wealth
of the Indies.' There is, then, creative reading as well as creative
writing. When the mind is braced by labour and invention, the page of
whatever book we read becomes luminous with manifold allusion. Every
sentence is doubly significant, and the sense of our author is as broad
as the world. We then see, what is always true, that, as the seer's hour
of vision is short and rare among heavy days and months, so is its
record, perchance, the least part of his volume. The discerning will
read, in his Plato or Shakespeare, only that least part,--only the
authentic utterances of the oracle; all the rest he rejects, were it
never so many times Plato's and Shakespeare's.--R. W. EMERSON. _The
American Scholar._
A COURSE OF READING
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