The book of Christmas : $b descriptive of the customs, ceremonies, traditions, superstitions, fun, feeling, and festivities of the Christmas seasonHervey, Thomas K.
Religion
The book of Christmas : $b descriptive of the customs, ceremonies, traditions, superstitions, fun, feeling, and festivities of the Christmas season
Hervey, Thomas K.
Christmas
To illustrate "Twelfth-night," our artist has made two studies of the
scenes it presents in London,--abroad and at home; and these involve our
consideration of the subject, accordingly.
During the entire twelve months there is no such illumination of
pastry-cooks' shops, as on Twelfth-night. Each sends forth a blaze of
light; and is filled with glorious cakes, "decorated," to use the words
of Mr. Hone, "with all imaginable images of thing animate and inanimate.
Stars, castles, kings, cottages, dragons, trees, fish, palaces, cats,
dogs, churches, lions, milkmaids, knights, serpents, and innumerable
other forms, in snow-white confectionery, painted with variegated
colors." "This 'paradise of dainty devices,'" he continues, "is crowded
by successive, and successful, desirers of the seasonable delicacies;
while alternate tappings of hammers and peals of laughter, from the
throng surrounding the house, excite smiles from the inmates." This last
observation requires explanation, for our country readers.
Let all idle gazers, then, in the streets of London beware of
Twelfth-night! There is then that spirit of mischievous fun abroad,
which, carried on without the superintending power of a Lord of
Misrule, exhibits itself in transfixing the coat-skirts of the
unconscious stranger to the frame of the door or window, at which he may
have paused to stare and wonder. Once fairly caught, lucky is the wight
who can disengage himself, without finding that, in the interim, his
other skirt has been pinned to the pelisse or gown of some alarmed
damsel, whose dress is perhaps dragged, at the same moment, in opposite
directions, so that he can neither stand still nor move, without aiding
the work of destruction. These practical facetiæ are the performances of
that class of nondescript lads, "perplexers of Lord Mayors and
irritators of the police," whose character Mr. Leigh Hunt has as truly
drawn as our artist has depicted their persons: "those equivocal
animal-spirits of the streets, who come whistling along, you know not
whether thief or errand-boy, sometimes with a bundle and sometimes not,
in corduroys, a jacket, and a cap or bit of hat, with hair sticking
through a hole in it. His vivacity gets him into scrapes in the street;
and he is not ultra-studious of civility in his answers. If the man he
runs against is not very big, he gives him abuse for abuse, at once; if
otherwise, he gets at a convenient distance, and then halloos out, 'Eh,
stupid!' or 'Can't you see before you?' or 'Go and get your face
washed!' This last is a favorite saying of his, out of an instinct
referable to his own visage. He sings 'Hokee-Pokee,' and 'A shiny
Night,' varied, occasionally, with an uproarious 'Rise, gentle Moon,' or
'Coming through the Rye.' On winter evenings, you may hear him indulging
himself, as he goes along, in a singular undulation of yowl, a sort of
gargle, as if a wolf was practising the rudiments of a shake. This he
Public-domain text, read in full here on John Shaqi.
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