On 29th January, 1884, Miss Morton spoke to her inmate, as the lady in
black stood beside a sofa. "She only gave a slight gasp and moved
towards the door. Just by the door I spoke to her again, but she
seemed as if she were quite unable to speak." {199} In May and June
Miss Morton fastened strings at different heights from the stair
railings to the wall, where she attached them with glue, but she twice
saw the lady pass through the cords, leaving them untouched. When
Miss Morton cornered the figure and tried to touch her, or pounce on
her, she dodged, or disappeared. But by a curious contradiction her
steps were often heard by several of the family, and when she heard
the steps, Miss Morton used to go out and follow the figure. There is
really no more to tell. Miss Morton's father never saw the lady, even
when she sat on a sofa for half an hour, Miss Morton watching her.
Other people saw her in the garden crying, and sent messages to ask
what was the matter, and who was the lady in distress. Many members
of the family, boys, girls, married ladies, servants and others often
saw the lady in black. In 1885 loud noises, bumps and turning of door
handles were common, and though the servants were told that the lady
was quite harmless, they did not always stay. The whole establishment
of servants was gradually changed, but the lady still walked. She
appeared more seldom in 1887-1889, and by 1892 even the light
footsteps ceased. Two dogs, a retriever and a Skye terrier, showed
much alarm. "Twice," says Miss Morton, "I saw the terrier suddenly
run up to the mat at the foot of the stairs in the hall, wagging its
tail, and moving its back in the way dogs do when they expect to be
caressed. It jumped up, fawning as it would do if a person had been
standing there, but suddenly slunk away with its tail between its
legs, and retreated, trembling, under a sofa." Miss Morton's own
emotion, at first, was "a feeling of awe at something unknown, mixed
with a strong desire to know more about it". {200}
Public-domain text, read in full here on John Shaqi.
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