She turned and gazed upon that face
As lovely as her own,
The poise of beauty and of grace
That matched her grace alone....
And in that close and silent place
I heard the lady moan.
I held the lady to my breast
And kissed her mouth and eyes.
She sighed and snuggled down to rest
Without the least surprise,
While I told tales of sweet unrest
That sounded very wise.
"They say I'm mad," she whispered then,
"I weep for dear despair,
No matter where I go, dark men
Follow me everywhere...."
To quiet her I kissed again
Her locks of golden hair.
"Great God!" she cried with finished grace,
"That woman whom I hate."
I looked and in a mirror's face
I saw the lady's mate.
Then quiet men of that strange place
Came down the halls of state.
They took the lady tenderly
Away from sound and sight.
I answered not. It seemed to me
As though they must be right.
So I smashed the mirror utterly
And fled into the night.
Chapter LXIX
And when Gud had finished reading the woman asked: "Is that all?"
And Gud looked at the poem in his hand and said sorrowfully, "That is
all."
"But that is quite comprehensible," said the woman, "for it is merely
one of Hersey's usual plagiarisms--a twittering parody of Rossetti's
'THE BLESSED DAMOSEL', and it is so simple."
"Do you understand it?" asked Gud.
"Of course, it merely means that the love of man is insufficient to
satisfy the yearning of woman, and so she must look into the mirror of
her own soul in search of greater spiritual joys. But alas, she is
shadowed by her sex consciousness as reflected in her beauty of the
flesh, and she can not escape that haunting shadow which finally drives
her mad. Is that not simple?"
To D. S.: I protest. This interpretation is entirely
erroneous.--H. H.
To H. H.: Good God, I know it! but if you had seen what I first
wrote about it you would keep still.--D. S.
"I should say," said Gud, "that it is beautiful simplicity."
"That is just the trouble with all that these chaps are writing. They
are so keen on the obvious. You see, I can understand all that these men
have written, for it is all explainable by psychoanalysis. It is merely
the symbolism of a suppressed wish to be famous. And, oh Gud, how I do
crave true mystery!"
"Then," said Gud, "you shall have it, for am I not Gud the Great?"
"If you are, why do you not inspire these men who are writing this book
about you to put something into the book that no one can understand?
Indeed, if you cannot do that I shall be tempted to believe that you are
not Gud, but only a mere figment of fancy conceived in the brains of two
conceited young egotists who are seeking a cheap notoriety by shocking
decent people with blasphemous literature."
"I fear you are right."
"Oh," cried the woman, "then you admit that you are what I said?"
"Not at all. I merely admit that he is what you said."
Public-domain text, read in full here on John Shaqi.
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