The influence of love upon the forces and forms of thought is twofold,
and is derived from self-love and from the psychical nature of the
person loved. Being a sentiment born during youth or rejuvenated during
old age, it especially excites the imagination and refines the aptitude
for reproducing the beautiful; in a few words, it warms those mental
aptitudes that generally reach their climax at the same age when love
manifests its greatest energies. Very rarely a man can be a poet or a
great artist without having loved intensely, without having had at least
a great capacity for loving. Chastity, forced or voluntary, may conceal
love; but down in the depths of the heart some images, resembling an
angel more than a woman, have sway, rising at every inspiration of
genius, at every song of the lyre, at every touch of the brush, and
reviving or kindling the sacred fire of art. The genius of many among
the greatest poets, artists and writers of the world had love as its
first companion and supreme inspirer; and without this sentiment their
names might be totally unknown to us. The love that is born in a sublime
brain accumulates gigantic forces, and chastity, always imposed by great
passions in their first stage, refines and intensifies them; so that
love seems to transform into genius, and genius dyes with splendid hues
every amorous manifestation. A chaste genius which loves is a legion of
fighting forces, a whole host of winged geniuses, and therefore no
difficult question, no irresistible force can oppose it. Thought, when
the companion of love, offers to it the richest tributes of its energy,
just as the enamored bird sings its most harmonious notes for its
companion, the flower condenses all its perfumes and the fascination of
its most beautiful colors around the nest in which plants love. And
with thought, intensified, transformed, adorned with all its splendors,
goes the stimulus of self-esteem, which in the satisfaction of pride of
the person loved finds always new incitement and new incentive to work.
Nor does the creature loved receive only the tribute, but from the
enthusiastic eloquence with which gratitude is expressed by that
creature, it is manifest that the latter also feels the same inciting
influence, and the most modest and stillest tongue finds splendors of
form and savoriness of style unknown to that day.
Public-domain text, read in full here on John Shaqi.
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