enthusiasm and passion. It is an old habit of the human beast to trample under its feet the rind of the fruit from which it has just sucked the last drop of juice! If love does not work in all creatures the same miracles which we expect, if it is not always a virtue that elevates and refines, it is because we have lowered woman to the level of our lasciviousness, because even we, civilized men, feel for her more desire than esteem, more lust than love. And yet woman thirsts more than man for the ideal, and, like all oppressed creatures, looks upward with more faith. Her exquisitely sensitive nature, open to the raptures of enthusiasm, easily inflamed by the warmth of poetry, attracts her irresistibly to higher and higher altitudes, and she would have helped us also to soar if we had not made of her a sweet concubine or a good housewife. Woman feels the ideal, aspires to every sublimity, but she has neither courage nor strength to ascend; and if she is not supported by the robust arm of her lover, she will become easily prostrated and sit down to rest on the path that leads upward. To her nature has assigned the task of indicating the high aim, to us the duty of accompanying and sustaining her. In a magnificent painting by Schoeffer, Dante is standing below, Beatrice above. Dante gazes at her, contemplates her and is inspired by her; and Beatrice, her eyes turned to heaven, seems to say to him: "Upward, upward! There it is where we shall go together!" Nothing is more contagious than enthusiasm; nothing more fascinating, more irresistible than the enthusiasm of woman. Without arguments that induce one to believe, without the strength of hoping, sustained only by love, she is always full of faith in great and beautiful things, and at every step of life, now handsome by her sublime imprudence, now affecting by her youthful enthusiasm, seems to say to us: "Onward, onward!" And with her tender little hands she draws us upward, guides us and lends us her ever fresh strength, even when she would appear fatigued.