Woman sins at least four times less than man; she fears crime, she is
horrified at the very thought of crime. Let us, then, disarm the man who
too often wounds or strikes; let the coward find no woman who loves him,
let him have no cup but that of the coarsest voluptuousness; let the
ignorant, the debased, the social parasites, all the fiends of the moral
world, find no bosom of woman on which to rest their heads! As the
Church once would banish excommunicated persons, so that they could find
no bread, no shelter, it should so be with moral monsters: let them be
banished from the region of love! And the elect women, whom nature
favored with the fateful gift of beauty, should preserve their treasures
for the strong and the immortal; their smiles should be the crown of
triumphing genius and magnanimous heart, for genius and beauty are the
most sublime interlacement of human forces, one of the most splendid
pictures of the nature of living beings.
Love, after having spread the minute fibrils of its tiny roots into all
the deep fissures of the human world and absorbed every drop of liquor,
every throb of energy, sends up to the branches of the robust tree every
sap and every energy; and there, high in the air, leaves, flowers, and
fruits drink from the rays of the sun the sweetest and most inebriating
voluptuousness. There, in those regions full of light and heat, and
which no worm of the soil, no atom of dust, no miasmatic exhalation ever
attain, profundity becomes sublimity, and man and woman, blended in the
ecstasy of an ardent contemplation of the beautiful and the good, ask of
themselves: "And what is God?"
CHAPTER IX
SUBLIME PUERILITIES OF LOVE
Like the butterfly, which, when just emerged from the involucre of the
chrysalis, still bears on its folded wings some strips of the wrapping
in which it was long enveloped, so Love, the youngest of human passions,
carries remnants of the robe of childhood which he has just discarded.
In his caprices and in his follies, in his games full of grace and
strength, in his blind idolatries and in his childish sorrows, you would
say that you behold before you a child genius. Now he surprises you with
his violence, then he awakens your sympathy for his weakness; now all
powerful, then most timid; now a hero, then a coward; today he defies
heaven with closed fists; tomorrow he will with tears implore a caress.
Love is childish because he is a child; childish because he is a poet;
childish because, unleashing all the impulses of the moral world, and
agitating in a convulsive kaleidoscope all the images of thought, he is
more often lyric than epic, and writes more dithyrambs than stories,
more poems than philosophical treatises.
Public-domain text, read in full here on John Shaqi.
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