It was on September 7, in that same year, that Elizabeth was born in the
palace of Greenwich, in a room that was known as the 'Chamber of the
Virgins,' from the stories told on the tapestries that covered the
walls. The king was greatly disappointed that the baby did not prove to
be a boy, but as that could not be helped he determined to make the
christening as splendid as possible. So, as it was customary that the
ceremony should take place a very few days after the child's birth, all
the royal secretaries and officers of state were busy from morning till
night, writing letters and sending out messengers to bid the king's
guests assemble at the palace on the afternoon of September 10, to
attend 'the high and mighty princess' to the convent of the Grey Friars,
where she was to be given the name of her grandmother, Elizabeth of
York.
---------------------
At one o'clock the lord mayor and aldermen and city council dined
together, in their robes of state; but the dinner did not last as long
as usual, as the barges which were to row them to Greenwich were moored
by the river bank, and they knew Henry too well to keep him waiting. The
palace and courtyard were crowded with people when they arrived, and a
few minutes later the procession was formed. Bishops wore their mitres
and grasped their pastoral staffs, nobles were clad in long robes of
velvet and fur, while coronets circled their heads. Each took his place
according to his rank, and when the baby appeared in the arms of the old
duchess of Norfolk, with a canopy over her head and her train carried
behind her, the procession set forth, the earl of Essex going first,
holding the gilt basin, followed by the marquis of Exeter and the
marquis of Dorset bearing the taper and the salt, while to lady Mary
Howard was entrusted the chrisom containing the holy oil. In this order
the splendid company passed down the road which led from the palace and
the convent, between walls hung with tapestry and over a carpet of
thickly-strewn rushes.
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Public-domain text, read in full here on John Shaqi.
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