Between Paris and St. Germain little Henriette passed the first seven years of her life, and if the clash of arms and the roar of cannon were as familiar to her as nursery songs are to more fortunate children, the echo of the same sounds came to her across the water from England, where her brother Charles was fighting for his crown. One day when she entered the room, she found the queen sitting with her head on her hands, weeping bitterly. The child stood for a moment at the door wondering what to do, and then went up softly and laid her cheek silently against her mother's. 'One by one they are going,' cried the poor woman; 'your sister Elizabeth'—and Henriette wept too for the death of the sister whom she had never seen. A few weeks later arrived the news that the queen's son-in-law, William of Orange, had died of small-pox at The Hague, and in him the family had lost another friend, and a sure refuge in all their troubles. Henrietta Maria's heart ached for her eldest daughter, gay, charming, yet melancholy like all the Stuarts, left a widow at nineteen, with only a baby son to comfort her. Henriette was very much grieved for her mother's distress, but as her sisters were merely names to her, she was soon ready to attend to her lessons again, given to her daily by lady Morton and the good father Cyprian. She would leave the side of her sad mother and seek her governess, and, sitting at one of the windows of the Louvre that overlooked the Seine, would sing some of the songs composed by the loyal Cavaliers who had fought for her father. And the passers-by beneath would look up at the sound of the guitar, as the little singer would pour out with all her heart 'My own and only love I pray,' by the great Marquis of Montrose; or 'When love with unconfined wings hovers within the gate,' or 'Bid me to live, and I will live, Thy Protestant to be.' Only she never sang this in the queen's presence, for Her Majesty did not love Protestants, as Henriette well knew! But the guitar was not the only instrument the princess was taught to play. She played too on the harpsichord, which she did not love as well as the guitar, for one reason because it was a lumbering thing and she could not carry it about with her. She also learnt to dance, and when the mob besieged the gates of Paris, or poured shouting through the streets, in one small room on the top of the old palace a little girl might have been seen practising the steps of the coranto, the pavane, the branle, and other dances in fashion at court. And when she was tired of dancing, lady Morton would read to her tales out of the old chronicles of Froissart or de Comines, or stories from Malory of Lancelot and Arthur, or repeat to her some of the poems of days gone by.