The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
60.—“But among other witticisms those have very good grace that are made
by taking the very words and sense from another man’s taunt and turning
them against him and striking him with his own weapons; as where a
litigant—whose adversary had said to him in the judge’s presence: ‘Why
do you bark so?’—at once replied: ‘Because I see a thief.’
“And another instance of this was when Galeotto da Narni,[217] on his
way through Siena, stopped in the street to ask for the inn; and a
Sienese, seeing how fat he was, said, laughing: ‘Other men carry their
wallets behind, but this one carries his in front.’ Galeotto at once
replied: ‘That is the way we do in a land of thieves.’
61.—“There is still another kind, which we call playing on words,[218]
and this consists in changing a word by either adding or omitting a
letter or a syllable; as when someone said: ‘You are better versed in
the Lat_r_in tongue than in the Greek.’ And you, my Lady, had a letter
addressed to you, ‘To my lady Emilia _Im_pia.’[219]
“Moreover it is a pleasant thing to quote a verse or two, applying it to
a purpose different from that which the author intends, or some other
familiar saw; sometimes to the same purpose, but changing some word. As
when a gentleman, who had an ugly and disagreeable wife, was asked how
he was, he replied: ‘Judge yourself of my state, when _Furiarum maxima
juxta me cubat_.’[220] And messer Geronimo Donato,[221] while going the
rounds of the _Stazioni_[222] at Rome in Lent with several other
gentlemen, met a bevy of beautiful Roman ladies; and one of the
gentlemen saying: ‘_Quot coelum stellas, tot habet tua Roma
puellas_,’[223] he at once replied: _Pascua quotque haedos, tot habet
tua Roma cinaedos_,[224] pointing to a company of young men who were
coming from the other direction.
[Illustration:
GALEOTTO MARZI DA NARNI
1427?-1490?
]
Enlarged from a cast, kindly furnished by M. Pierre Valton, of an
anonymous medal in his collection at Paris. See Armand’s _Les
Médailleurs Italiens_, ii, 35, no. 25.
Public-domain text, read in full here on John Shaqi.
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