The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
73.—“And this sort of pleasantry which is tinged with irony seems very
becoming to great men, because it is dignified and sharp, and can be
used in jocose as well as in serious matters. Hence many ancients (and
those among the most esteemed) have used it, like Cato and Scipio
Africanus the Younger; but above all men, the philosopher Socrates is
said to have excelled in it. And in our own times King Alfonso I of
Aragon,[269] who, being about to eat one morning, took off the many
precious rings that he had on his fingers, in order not to wet them in
washing his hands, and so gave them to the first person he happened on,
almost without looking to see who it was. This servant supposed that the
king had taken no notice who received them, and by reason of weightier
cares would easily forget them altogether; and in this he was the more
confirmed, seeing that the king did not ask for them again; and as he
saw days, weeks and months pass without hearing a word about them, he
thought he was surely safe. Accordingly, nearly a year after this had
happened, he presented himself again one morning as the king was about
to eat, and held out his hand to receive the rings; whereupon the king
bent close to his ear and said to him: ‘Let the first ones suffice thee,
because these will do for someone else.’ You see how biting, clever and
dignified the sally was, and how truly worthy the exalted spirit of an
Alexander.
[Illustration:
OTTAVIANO UBALDINI
Died 1498
]
Enlarged from Braun’s photograph (no. 19.553) of the painting,
“Astronomy,” by Melozzo degli Ambrosi da Forli (1438-1494). The
picture, of which this head is a detail, was one of a series of
panels painted to decorate Duke Federico di Montefeltro’s library in
the palace of Urbino, but is now in the Royal Museum at Berlin. For
iconographical identification, see Schmarzow’s _Melozzo da Forli,
ein Beitrag zur Kunst- und Kulturgeschichte Italiens im XV
Jahrhundert_ (Berlin: 1886), p. 84.
74.—“Similar to this manner (which savours of the ironical) is another
method, that of describing an evil thing in polite terms. As the Great
Captain said to one of his cavaliers, who, after the battle of
Cerignola,[270] when the danger was over, came forward in the richest
armour possible to describe, accoutered as if for battle. And then the
Great Captain turned to Don Ugo di Cardona[271] and said: ‘Have no more
fear of storm, for Saint Elmo has appeared;’ and with this polite speech
he stung the man to the quick, because you know that Saint Elmo[272]
always appears to mariners after the tempest and gives token of fair
weather; and thus the Great Captain meant that this cavalier’s
appearance was a token that the danger was quite passed.
Public-domain text, read in full here on John Shaqi.
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