The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“Nor can I refrain from saying a word of our lady Duchess, who having
for fifteen years lived like a widow in company with her husband, not
only was steadfast in never revealing this to anyone in the world, but
when urged by her own people to lay aside her widowhood, she chose
rather to endure exile, poverty and every other sort of hardship, than
to accept that which seemed to all others great favour and blessing of
fortune;”[420] and as messer Cesare was going on to speak of this, my
lady Duchess said:
“Speak of something else, and go no further with this subject, for you
have many other things to say.”
Messer Cesare continued:
“Yet I know you will not deny this, my lord Gaspar, nor you, Frisio.”
“Indeed no,” replied Frisio; “but one does not make a host.”
50.—Then messer Cesare said:
“It is true that such great results as these are met in few women:
still, those also who withstand the assaults of love are all admirable;
and those who are sometimes overcome deserve much pity: for certainly
the urgence of lovers, the arts they use, the snares they spread, are so
many and so continual that it is but too great a wonder that a tender
girl can escape. What day, what hour, ever passes that the persecuted
girl is not besought by the lover with money, gifts and all things that
must please her? When can she ever go to her window, but she shall
always see her persistent lover pass, silent in word but with eyes that
speak, with sad and languid face, with those burning sighs, often with
most abundant tears? When does she ever go forth to church or other
place, but he is always before her, and meets her at every turn of the
street with his melancholy passion depicted in his eyes, as if he were
expecting instant death? I leave aside the fripperies, inventions,
mottoes, devices, festivals, dances, games, masques, jousts,
tourneys!—all which things she knows are made for her.
“Then at night she can never wake but she hears music, or at least his
unquiet spirit sighing about the house walls and making lamentable
sounds. If by chance she wishes to speak to one of her women, the wench
(already corrupted with money) soon has ready a little gift, a letter, a
sonnet or some such thing to give her on the lover’s behalf, and then
coming in opportunely, makes her understand how the poor man is burning
with love, and in her service cares naught for his own life; and how he
seeks nothing from her that is less than seemly, and only desires to
speak with her. Then remedies are found for all difficulties, false
keys, rope ladders, sleeping potions; the thing is painted as of little
consequence; instances are given of many other women who do far worse.
Thus everything is made so easy that she has no further trouble than to
say, ‘I am willing.’ And even if the poor girl holds back for a time,
they add so many inducements, find so many ways, that with their
continual battering they break down that which stays her.
Public-domain text, read in full here on John Shaqi.
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