The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“I should seek also to induce him to erect great buildings, both to win
honour in his lifetime and to give a memorial of himself to posterity:
as Duke Federico did in the case of this noble palace,[447] and as Pope
Julius is now doing in the case of St. Peter’s Church[448] and of that
street which leads from the Palace to his pleasure pavilion the
Belvedere,[449] and many other buildings: as also the ancient Romans
did, whereof we see so many remains at Rome and at Naples, at Pozzuoli,
at Baja, at Civita Vecchia, at Porto,[450] and out of Italy too, and
many other places,—which are great proof of the worth of those divine
minds.[451] So did Alexander the Great also, for not content with the
fame that he had justly won by having conquered the world with arms, he
built Alexandria in Egypt, Bucephalia in India,[452] and other cities in
other countries; and he thought of reducing Mount Athos to the form of a
man, and of building a very spacious city in its left hand, and in its
right a great basin in which were to be gathered all the rivers that
take their rise there, and from it they were to flow over into the
sea:[453] a truly great thought and one worthy of Alexander the Great.
“These, my lord Ottaviano, are things which I think befit a noble and
true prince, and make him very glorious in peace and war; and not
setting his mind to so many trifles, and taking care to fight solely in
order to rule or conquer those who deserve to be ruled, or for his
subjects’ profit, or to deprive those of power who wield it ill. For if
the Romans, Alexander, Hannibal and the others had had these aims, they
would not have reached that height of glory to which they did attain.”
[Illustration:
POPE JULIUS II
GIULIANO DELLA ROVERE
1443-1513
]
Reduced from a part of Braun’s photograph (no. 42.079) of the portrait,
in the Pitti Gallery at Florence, by Raphael (1483-1520). Of two
similar portraits, one is in the Uffizi Gallery at Florence, and the
other is in the National Gallery at London. Both Passavant and
Morelli affirmed the superior authenticity of the picture here
presented, which is believed to have been painted for the Duke of
Urbino.
37.—Then my lord Ottaviano replied, laughing:
“Those who had not these aims, would have done better if they had;
although if you think, you will find many that did, and particularly
those first ancients, like Theseus and Hercules. And do not imagine that
Procrustes and Sciron, Cacus, Diomed, Antæus, Geryon, were other than
cruel and impious tyrants, against whom these lofty-minded heroes waged
perpetual and deadly war.[454] Therefore, for having delivered the world
from such intolerable monsters (for only thus ought tyrants to be
called), temples were raised and sacrifices offered to Hercules, and
divine honours paid to him; since the extirpation of tyrants is a
benefit so profitable to the world that he who confers it deserves much
greater reward than any befitting to a mortal.[455]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account