The Book of the Epic: The World's Great Epics Told in StoryGuerber, H. A. (Hélène Adeline)
General
The Book of the Epic: The World's Great Epics Told in Story
Guerber, H. A. (Hélène Adeline)
Epic poetry -- Adaptations
_Canto XXVIII._ Through the Garden of Eden Dante now strolls with
Statius and Virgil, until he beholds, on the other side of a pellucid
stream (whose waters have the "power to take away remembrance of
offence"), a beautiful lady (the countess Matilda), who smiles upon
him. Then she informs Dante she has come to "answer every doubt" he
cherishes, and, as they wander along on opposite sides of the stream,
she expounds for his benefit the creation of man, the fall and its
consequences, and informs him how all the plants that grow on earth
originate here. The water at his feet issues from an unquenchable
fountain, and divides into two streams, the first of which, Lethe,
"chases from the mind the memory of sin," while the waters of the
second, Eunoe, have the power to recall "good deeds to one's mind."
_Canto XXIX._ Suddenly the lady bids Dante pause, look, and hearken.
Then he sees a great light on the opposite shore, hears a wonderful
music, and soon beholds a procession of spirits, so bright that they
leave behind them a trail of rainbow-colored light. First among them
march the four and twenty elders of the Book of Revelations; they are
followed by four beasts (the Evangelists), and a gryphon, drawing a
chariot (the Christian Church or Papal chair), far grander than any
that ever graced imperial triumph at Rome. Personifications of the
three evangelical virtues (Charity, Faith, and Hope) and of the four
moral virtues (Prudence, etc.), together with St. Luke and St. Paul,
the four great Doctors of the Church, and the apostle St. John, serve
as body-guard for this chariot, which comes to a stop opposite Dante
with a noise like thunder.
_Canto XXX._ The wonderful light, our poet now perceives, emanates
from a seven-branched candlestick, and illuminates all the heavens
like an aurora borealis. Then, amid the chanting, and while angels
shower flowers down upon her, he beholds in the chariot a lady veiled
in white, in whom, although transfigured, he instinctively recognizes
Beatrice (a personification of Heavenly Wisdom). In his surprise
Dante impulsively turns toward Virgil, only to discover that he has
vanished!
Beatrice comforts him, however, by promising to be his guide
hereafter, and gently reproaches him for the past until he casts
shamefaced glances at his feet. There, in the stream (which serves as
nature's mirror), he catches a reflection of his utter loathsomeness,
and becomes so penitent, that Beatrice explains she purposely brought
him hither by the awful road he has travelled to induce him to lead a
changed life hereafter.
Public-domain text, read in full here on John Shaqi.
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