The Book of the Epic: The World's Great Epics Told in StoryGuerber, H. A. (Hélène Adeline)
General
The Book of the Epic: The World's Great Epics Told in Story
Guerber, H. A. (Hélène Adeline)
Epic poetry -- Adaptations
_Canto VII._ After this speech Justinian vanishes with his angelic
companions, and Dante, duly encouraged, inquires of Beatrice how "just
revenge could be with justice punished!" She informs him that, as in
Adam all die through the power of sin, all can by faith live again
through Christ, thanks to God's goodness.
_Canto VIII._ Although unaware of the fact, Dante, whose eyes have
been fixed on Beatrice, has during her exposition been wafted up to
the third heaven, that of Venus (revolved by Princedoms). In the
planet of love--where Beatrice glows with increased beauty--are
innumerable souls "imperfect through excess of love," which are
grouped in constantly revolving circles. All at once one of these
luminous spirits approaches Dante, and, after expressing great
readiness to serve him, introduces himself as Charles Martel, King of
Hungary, brother of Robert of Naples. Thirsting for information, Dante
inquires of him "how bitter can spring when sweet is sown?" In a
lengthy disquisition in reply, this spirit mentions how children often
differ from their parents, quotes Esau and Jacob as marked examples
thereof, and adds that nature, guided by Providence, produces at will
a Solon, Xerxes, Melchisedec, or Daedalus. _Canto IX._ The next
spirit with whom Beatrice converses is the fair Cunizza, who like the
Magdalen "loved much," and therefor obtained pardon for her sins.
Before vanishing, she foretells coming political events, and
introduces the Provençal bard Folco, whose poems on love were to be
republished after five hundred years of oblivion. After relating his
life, this poet informs Dante the harlot Rahab was admitted to this
heaven in reward for saving Joshua's spies. This spirit concludes his
interview by censuring the present papal policy, declaring it far too
worldly, avaricious, and time-serving to find favor in heaven.
_Canto X._ Drawn upward this time by the attraction of the sun, Dante
finds himself in a dazzling sphere (revolved by Powers), where he and
Beatrice behold consecutive moving wreaths, each composed of twelve
blessed spirits who while on earth were noted as teachers of divinity
and philosophy. One of these singing, revolving wreaths encompasses
our travellers, until one of its members, St. Thomas Aquinas, ceases
his ineffable song long enough to present his companions and explain
their titles to immortal glory.
_Canto XI._ St. Thomas Aquinas, in his conversation with Dante,
relates the life of St. Francis of Assisi, dwelling particularly upon
his noble character, and describing how, after becoming wedded to
Poverty, he founded the order of the Franciscans, received the
stigmata, and died in odor of sanctity, leaving worthy disciples and
emulators, such as St. Dominic, to continue and further the good work
he had begun. He adds that many of the saint's followers are
represented in the innumerable glowing wreaths which people the heaven
of the Sun.
Public-domain text, read in full here on John Shaqi.
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