The Book of the Epic: The World's Great Epics Told in StoryGuerber, H. A. (Hélène Adeline)
General
The Book of the Epic: The World's Great Epics Told in Story
Guerber, H. A. (Hélène Adeline)
Epic poetry -- Adaptations
The plot of Tristram has been utilized both by Matthew Arnold and by
Swinburne, while William and Lewis Morris have rewritten some of the
old classic stories in "The Earthly Paradise," the "Life and Death of
Jason," the "Defense of Guinevere," and the "Epic of Hades."
It was, however, the Victorian poet-laureate Tennyson who gave the
Arthurian Legend its latest and most artistic touches in "Idylls of
the King." Some critics also claim as an example of the domestic epic
his "Enoch Arden."
Among recent writers, sundry novelists have been hailed as authors of
prose epics. Thomas Westwood has composed in excellent verse the
"Quest of the Sangreall," Mrs. Trask "Under King Constantine," a
notable addition to the Arthurian cycle, and Stephen Philips has sung
of Ulysses and of King Alfred.
FOOTNOTES:
[Footnote 20: See the author's "Legends of the Virgin and Christ."]
BEOWULF[21]
_Introduction._ The only Anglo-Saxon epic which has been preserved
entire was probably composed in Sweden before the eighth century, and
taken thence to England, where this pagan poem was worked over and
Christianized by some Northumbrian bard. Although some authorities
declare it dates back as far as the fifth century, most affirm it must
have been composed in the seventh. The present manuscript, now
preserved in the British Museum, dates back to the tenth century. It
contains some 3182 lines, and is written in alliterative verse (that
is to say, that all the lines are written in pairs and that each
perfect pair contains two similar sounds in the first line and one in
the second). Although the author of Beowulf is unknown, the poem
affords priceless hints in regard to the armor, ships, and mode of
life of our early Saxon fore-fathers. Many translations of the poem
have been made, some in prose and others in verse, and the epic as it
stands, consisting of an introduction and forty-two "Fits," is the
main text for the study of the Anglo-Saxon language.
_The Epic._ Hrothgar, King of Denmark, traces his origin to Skiold,
son of Odin, who as an infant drifted to Denmark's shores. This child
lay on a sheaf of ripe wheat, surrounded by priceless weapons, jewels,
and a wonderful suit of armor, which proved he must be the scion of
some princely race. The childless King and Queen of Denmark therefore
gladly adopted him, and in due time he succeeded them and ruled over
the whole country. When he died, his subjects, placing his body in the
vessel in which he had come, set him adrift.
Men are not able
Soothly to tell us, they in halls who reside,
Heroes under heaven, to what haven he hied.[22]
Hrothgar, his descendant, constructed a magnificent hall, called
Heorot, wherein to feast his retainers and entertain them with the
songs of the northern skalds.
Public-domain text, read in full here on John Shaqi.
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