The Book of the Feet: A History of Boots and ShoesHall, Joseph Sparkes
History
The Book of the Feet: A History of Boots and Shoes
Hall, Joseph Sparkes
Footwear -- History; Shoemakers
“This day is called--the feast of Crispian:
He, that outlives this day, and comes safe home,
Will stand a tiptoe when this day is named,
And rouse him at the name of Crispian:
He, that shall live this day, and see old age,
Will yearly on the vigil feast his friends,
And say, To-morrow is St. Crispian:
Then will he strip his sleeve and show his scars.
Old men forget; yet shall not all forget,
But they’ll remember with advantages,
What feats they did that day: Then shall our names,
Familiar in their mouth as household words,--
Harry the king, Bedford, and Exeter,
Warwick, and Talbot, Salisbury, and Glo’ster,--
Be in their flowing cups freshly remembered:
This story shall the good man teach his son:
And Crispin Crispian shall ne’er go by,
From this day to the ending of the world,
But we in it shall be remembered:
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me,
Shall be my brother; be he ne’er so vile,
This day shall gentle his condition:
And gentlemen in England, now abed,
Shall think themselves accursed they were not here;
And hold their manhoods cheap, while any speaks
That fought with us upon St. Crispin’s day.”
* * * * *
CORDWAINERS’ HALL is a modern structure, situated in Distaff lane,
London. It is a plain, but very neat and substantial brick building,
with a stone front, and a sculpture of the cordwainers’ arms, on a
shield, in the pediment, supported on each side by the cornucopia, or
horn of plenty. Over the centre window is a bass-relief of Clotho, one
of the parcæ or fates, spinning the thread of life.
The hall is entered by two side-wings, by an ascent of a few steps. On
the right and left are rooms for counting-houses, and other offices for
the use of the clerks and different persons belonging to the company.
The ballroom, 60 feet by 30, is a neat, commodious room, but without
ornaments, except merely the royal arms, the city arms, and the arms of
the company. Over the entrance is a music gallery or orchestra,
underneath which are some extremely neat representations of musical
instruments.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account