The book of the ladies: Illustrious Dames: The Reign and Amours of the Bourbon RégimeBrantôme, Pierre de Bourdeille
History
The book of the ladies: Illustrious Dames: The Reign and Amours of the Bourbon Régime
Brantôme, Pierre de Bourdeille
France -- Biography; France -- Court and courtiers; Queens; Women -- Biography
There she has now been six or seven years,[16] not, however, with all
the pleasures of life, being despoiled of the county of Auvergne by M.
le Grand Prieur de France, whom the king induced the queen-mother to
institute count and heir in her will; regretting much that she could not
leave the queen, her good daughter, anything of her own, so great was
the hatred that the king bore her. Alas! what mutation was this from the
time when, as I saw myself, they loved each other much, and were one in
body, soul, and will! Ah! how often was it fine to see them discourse
together; for, whether they were grave or gay, nothing could be finer
than to see and hear them, for both could say what they wished to say.
Ah! how changed the times are since we saw them in that great ball-room,
dancing together in such beautiful accord of dance and will! The king
always led her to the dance at the great balls. If one had a noble
majesty the other had none the less; the eyes of all were never
surfeited or delighted enough by so agreeable a sight; for the sets were
so well danced, the steps so correctly performed, the stops so finely
made that we knew not which to admire most, their beautiful fashion of
dancing or their majesty in pausing; representing now a gay demeanour
and next a noble, crave disdain; for no one ever saw them in the
dance that did not say they had seen no dance so fine with grace and
majesty as this of the king-brother and the queen-sister. As for me, I
am of that opinion; and yet I have seen the Queen of Spain and the Queen
of Scotland dance most beautifully.
[Illustration: _Élisabeth de France Queen of Spain_]
Also I have seen them dance the Italian _pazzemeno_ [the minuet, _menu
pas_], now advancing with grave port and majesty, doing their steps so
gravely and so well; next gliding only; and anon making most fine and
dainty and grave passages, that none, princes or others, could approach,
nor ladies, because of the majesty that was not lacking. Wherefore this
queen took infinite pleasure in these grave dances on account of her
grace and dignity and majesty, which she displayed the better in these
than in others like _bransles_, and _volts_, and _courants_. The latter
she did not like, although she danced them well, because they were not
worthy of her majesty, though very proper for the common graces of other
ladies.
Public-domain text, read in full here on John Shaqi.
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