Our tourist returns to the rim-side hotel to the ceremony of sunset on Crater Lake, for which the lake abandons all traditions and clothes itself in gold and crimson. And in the morning after looking, before sunrise, upon a Crater Lake of hard-polished steel from which a falling rock would surely bounce and bound away as if on ice, he breakfasts and leaves without another look lest repetition dull his priceless memory of an emotional experience which, all in all, can never come again the same. It is as impossible to describe Crater Lake as it is to paint it. Its outlines may be photographed, but the photograph does not tell the story. Its colors may be reproduced, but the reproduction is not Crater Lake. More than any other spot I know, except the Grand Canyon from its rim, Crater Lake seems to convey a glory which is not of line or mass or color or composition, but which seems to be of the spirit. No doubt this vivid impression which the stilled observer seems to acquire with his mortal eye, is born somehow of his own emotion. Somehow he finds himself in communion with the Infinite. Perhaps it is this quality which seems so mysterious that made the Klamath Indians fear and shun Crater Lake, just as the Indians of the great plateau feared and shunned the Grand Canyon. It is this intangible, seemingly spiritual quality which makes the lake impossible either to paint or to describe. So different is this spectacle from anything else upon the continent that the first question asked usually is how it came to be. The answer discloses one of the most dramatic incidents in the history of the earth. In the evolution of the Cascades, many have been the misadventures of volcanoes. Some have been buried alive in ash and lava, and merged into conquering rivals. Some have been buried in ice which now, organized as glaciers, is wearing down their sides. Some have died of starvation and passed into the hills. Some have been blown to atoms. Only one in America, so far as known, has returned into the seething gulf which gave it birth. That was Mount Mazama. The processes of creation are too deliberate for human comprehension. The Mississippi takes five thousand years to lower one inch its valley's surface. The making of Glacier National Park required many--perhaps hundreds--of millions of years. It seems probable that the cataclysm in which Mount Mazama disappeared was exceptional; death may have come suddenly, even as expressed in human terms.