This intermediate stretch of river is beautiful in its quietude. The forests often touch the water's edge. And ever it narrows and deepens and splashes higher against the rocks which stem its current; forever it is steepening to the plunge. Above the Upper Fall it pinches almost to a mill-race, roars over low sills, swings eastward at right angles, and plunges a hundred and nine feet. I know of no cataract which expresses might in action so eloquently as the Upper Fall of the Yellowstone. Pressed as it is within narrow bounds, it seems to gush with other motive power than merely gravity. Seen from above looking down, seen sideways from below, or looked at straight on from the camp site on the opposite rim, the water appears hurled from the brink. Less than a mile south of the Upper Fall, the river again falls, this time into the Grand Canyon. Imposing as the Great Fall is, it must chiefly be considered as a part of the Grand Canyon picture. The only separate view of it looks up from the river's edge in front, a view which few get because of the difficult climb; every other view poses it merely as an element in the canyon composition. Compared with the Upper Fall, its more than double height gives it the great superiority of majesty without detracting from the Upper Fall's gushing personality. In fact, it is the King of Falls. Comparison with Yosemite's falls is impossible, so different are the elements and conditions. The Great Fall of the Yellowstone carries in one body, perhaps, a greater bulk of water than all the Yosemite Valley's falls combined. And so we come to the canyon. In figures it is roughly a thousand feet deep and twice as wide, more or less, at the rim. The supremely scenic part reaches perhaps three miles below the Great Fall. Several rock points extend far into the canyon, from which the gorgeous spectacle may be viewed as from an aeroplane. Artists' Point, which is reached from the east side, displays the Great Fall as the centre of a noble composition. It was Moran's choice. Inspiration Point, which juts far in from the west side, shows a deeper and more comprehensive view of the canyon and only a glimpse of the Great Fall. Both views are essential to any adequate conception. From Artists' Point the eye loses detail in the overmastering glory of the whole. From Inspiration Point the canyon reveals itself in all the intimacy of its sublime form and color. Both views dazzle and astonish. Neither can be looked at very long at one time. [Illustration: _From a photograph copyright by Gifford_ YELLOWSTONE VALLEY FROM THE UPPER FALL TO THE LOWER FALL] [Illustration: _From a photograph copyright by Gifford_ THE LOWER FALL AND THE GRAND CANYON OF THE YELLOWSTONE]