The Book of the Pearl: The history, art, science, and industry of the queen of gemsKunz, George Frederick
History
The Book of the Pearl: The history, art, science, and industry of the queen of gems
Kunz, George Frederick
Pearls
The myth of the dragon and the pearl has been a far-reaching theme of
the artists in Japan and China, whether in color, metal, or stone. There
has been much written as to how the myth became so fixed in the minds of
the Orientals, and Prince Rupprecht of Bavaria, who has made an
exhaustive study of the myth of the dragon in all its phases, has very
courteously communicated to us the following facts. Personally he had
never been able to learn of a true or clear description of the origin of
the myth other than the well-recorded legend given by Legge in the
“Sacred Books of the East” (Vol. XL, p. 211), in which there is a
quotation from Shuangtze, a writer of the fourth century before Christ,
who says: “Near the Ho river there was a poor man, who supported his
family by weaving rushes. His son, when diving in a deep pool, found a
pearl worth a thousand ounces of silver. The father said: ‘Bring a stone
and beat it in pieces. A pearl of this value must have been in a pool
nine khung deep and under the chin of the black dragon. That you were
able to get it must have been owing to your having found him asleep. Let
him awake, and the consequences will not be small.’” Prince Rupprecht
says:
This legend has nothing to do with the illustration to which you
refer; it belongs to a cycle of myths concerning a stone in the head
of a serpent, or the crown of the king of the serpents or dragons;
myths which also exist in Germany since the days of old. I should
rather be inclined to think that the commonly accepted pearl between
the two dragons is not a pearl at all. At least this pearl is always
surrounded by ornaments in the shape of flames or claws, and
Professor Hirth discovered on such a representation in woodcut, an
explanation of the flames by the sign for Yangsui, a very ancient
kind of metallic mirrors, of concave form, that were used to produce
the heavenly fire.
[Illustration:
JAPANESE LEGEND OF THE DRAGON AND THE PEARL, IDEALIZED IN JADE
Heber R. Bishop Collection, Metropolitan Museum of Art
]
This explanation is probably erroneous and due to a misunderstanding
of the signs for flames. In my opinion, another explanation, that
the pearl is not really a pearl but a spider, is nearer to the
truth. As an argument in favor of this theory the following sentence
may be quoted from an encyclopedia of the eleventh century
(“Pieu-tzi-lei,” chap. 223): “The pearl of a fish is its eye, the
pearl of a tortoise is its foot, the pearl of the spider is its
belly.” Pearl, as well as spider, are both called in Chinese by the
same word but are written in a different way.
Public-domain text, read in full here on John Shaqi.
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