Barth (‘Travels’) has left us accurate though scanty details concerning
the weapons of the North-Western and West-Central Africa. ‘Spears and
Swords’ (say the people) ‘are the only manly and becoming weapons.’
The blade, mostly made at Solingen,[515] characterises the free and
noble Amoshágh or Imoshágh; and all travellers remark that it preserves
the old knightly form of crusading days; the low-caste Tawárik carry
only the lance and the regular African Telak or arm-knife. The Forawy
trust almost wholly to their Swords: the Kel-Owy (Khayl, or people, of
the Owi Valley) and the Kel-Geres carry spear, Sword, and dagger. The
Imgád, a degraded tribe of the negroid Berbers, are not allowed to use
either Sword or spear: similarly the bow is confined to the servile
caste among the Somal. The son of the Kazi, near Agades, was armed with
an iron spear, Sword, and dagger (vol. i. 395): a Musghu chief had a
boomerang-Sword (Front. vol. iii.). Few of the Baghirmi can afford
‘Kaskara’ (Swords), and they rarely wear the Kinyá or arm-knife: the
favourite weapon of these races, as well as the Kamuri or Bornavis,
is the Njiga or Golîyo, which has been noticed under the name of
Danisko.[516] It is a short and double-pointed Egyptian hand-bill,
thrown, as well as used for cutting. At Sokoto the traveller found good
iron (iv. 180): at Kano, in Hausaland, he observed a blacksmith making,
with the rudest tools, a leaf-shaped dagger, a long-ribbed, highly
decorated, and very sharp blade. The Tawárik call the smith ‘Enhad’; in
Timbukhtu he becomes the Mu’allim or artist.
The Sword-play of North Africa is that of Arabia and India,
apparently borrowed from the original Sword-dance.[517] In Tangier
it is picturesquely described by a lively Italian writer, Edmondo de
Amicis.[518] ‘There were three swordsmen, and they used the stick
in pairs. It is impossible to do justice to the extravagance and
buffoonery (_goffagini_) of that _school_: I call it so because we
saw the same style in the other cities of Marocco. There were all the
movements of the rope-dance, high leaps without object, contusions,
leg-actions, and blows, announced a whole minute before by an immense
sweep of the arm. Everything was done with a holy phlegm which would
have allowed one of our experts to have distributed, amongst all four,
a volley of blows without the least risk of receiving one.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account