The general opinion that Homer ignored soldering[817] gives unusual
interest to a large bronze dagger found in No. III. Sepulchre, six
mètres and a half below the surface (p. 164). Two blades are well
soldered together in the middle (fig. 253). The same art appears (p.
280) in the attachment of two long narrow plates of thick bronze.
Crickets (_cicadæ_) and other ornaments were also found of gold worked
in _repoussé_ and composed of two halves soldered together.
[Illustration: FIG. 252.—BRONZE SWORD FOUND IN THE PALACE (p. 144).]
[Illustration: FIG. 253.—BRONZE DAGGER. TWO BLADES SOLDERED.]
The goldsmiths of Mycenæ were true artists. They had work in plenty;
Dr. Schliemann estimates the metallic value of his finds at five
thousand pounds. An admirable bit of work (p. 251) is the goat
standing, like that of Assyria and Istria, with gathered legs upon the
top of a pin.[818] Another (No. 365) is the lion-cub, apparently cut
and tooled. As in modern India, the circles, spirals, and wave-lines
are excellently executed, and so is the gold-plating upon buttons of
wood (pp. 258–59). The old Greek city, too, had a peculiar treatment
of the whorl, which, combining two and even three—either _dextrorsum_
or _sinistrorsum_—about a common centre, and making the lines of at
least two continuous, deserves to be called the ‘Mycenæ spiral.’ This
ornament passes from the gold trinkets and the tomb-stones of the
Acropolis to the ‘Treasuries’ of much later date.
An intaglio of gold is especially interesting, because it represents
a Monomachía or duel. He to the proper right, a tall beardless or
shaven warrior, without helmet, and clad only in ‘tights’ and ‘shorts,’
bears the whole weight of his body upon his left leg, extending the
right, as in a lunge, and is about to plunge his straight and pointed
dagger-blade into the throat of his bearded foe (p. 174). A signet-ring
displays a gigantic warrior who has felled one opponent, put to flight
a second, and is stabbing a third with a short broad straight blade.
The vanquished man attempts to defend himself with a long Xiphos (p.
225). Perhaps the subject may be Theseus clearing out the thieves. A
gold button shows a square formed by four sacrificial chopper-knives of
Egyptian shape (p. 263, No. 397).
Public-domain text, read in full here on John Shaqi.
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