The _ludus gladiatorius_[878] began as a humane institution amongst the
Etruscans, who, instead of slaughtering, upon the funeral pyre, slaves
and war-captives, like Achilles and Pyrrhus, allowed them to fight for
their lives. The _munus_ at Rome, moreover, was originally confined
to public funerals, and it was an abuse which allowed it at private
interments, at entertainments, and at holiday festivals in general.
According to Livy[879] ‘when Scipio exhibited gladiators at Carthage’
(B.C. 546) ‘they were not slaves or men who sold their blood, the
usual stuff of the Lanista’s school.’[880] The service was voluntary
and gratuitous. Combatants were often sent by petty princes to show
the courage of their people; others came forward in compliment to the
General, and some decided their disputes by the Sword. Amongst persons
of distinction were Corbis and Orsua, cousins-german, who determined
to fight out their claims to the city called Ibes, and they ‘exhibited
to the army a most interesting spectacle,’ the elder swordsman easily
mastering the artless attacks of the younger.
[Heading: _THE ROMAN GLADIATOR._]
Even when the gladiators at Rome were condemned criminals and captives
whose lives were forfeited by the old laws of war, some humanity
remained. Although the malefactors doomed _ad gladium_ were to be
slain within the year, those sent only _ad ludum_ might obtain their
discharge within three years. And under the Empire to join the shows
became ‘fashionable:’ Severus was compelled to forbid freeborn
citizens, knights, senators, and even women from entering the arena.
Public-domain text, read in full here on John Shaqi.
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