Except at the beginning of each Gospel, the only attempt at ornament is a series of red dots round the initial letters; but the letters of the first words of each Gospel are elaborately embellished in the characteristic Celtic style. Prefixed also to each Gospel is a page covered with interlaced ornament of great beauty, as well as another page with the symbol of the Evangelist. These pages have been represented in fac-simile (admirably as regards the tracing, but not with accurate reproduction of the colours) in Prof. Westwood’s _Fac-similes of Irish and Anglo-Saxon Manuscripts_. The volume was formerly enclosed in a silver cover, which has long since disappeared; but a note in the book (written in 1677) gives the inscription, which stated that the cover was made by Flann, son of Mailsechnal, King of Ireland (who died in the year 916).[121] This MS. was presented to the Library by Henry Jones, Bishop of Meath, Vice-Chancellor (1646 to 1660), the same whose gift of stairs, etc., to the Library in 1651 is commemorated on a brass plate just inside the door. Conall MacGeoghegan relates of Saint Columba, “hee wrote 300 bookes with his one [own] hand, they were all new testaments, left a book to each of his churches in the kingdome w^{ch} Bookes sunck to the bottom of the Deepest waters, they would not lose one letter signe or character of them, w^{ch} I have seen partly my selfe of that book of them w^{ch} is at Dorow, in the K^s County, for I did see the Ignorant man that hath the same in his custody, when sickness came upon cattle, for their Remedi putt water on the booke and suffered it to rest there a while and saw alsoe cattle returne thereby to their former or pristinate and the book to receave noe loss.”[122] In earlier times, indeed, even in England, the scrapings of these Celtic manuscripts were believed to have medicinal virtues.