The University has ever been, as it is, one of the few entirely satisfactory and successful institutions planted by England in the sister isle, and it has ever promoted sound learning and religious education; but architecture, or even good building, was for the first century and a-half of its existence most certainly not its strong point. Nor has Irish artistic feeling at any time been commonly expressed in Architecture. Ireland has given to the Empire soldiers and statesmen, poets and orators, philosophers and divines, men of science and men of action, governors, ministers, judges, in numbers and in eminence quite out of proportion to her population and her advantages. But of architects of the first or even of the second class, no Irishman has inscribed his name on the roll of honour as a designer of great works at home or abroad. The domestic architecture and the national ecclesiastical style of building is poor, mean, and uninteresting; and although Dublin to-day is adorned with many handsome structures, none of them can be said to have any peculiarly national characteristics, and of the most important now existing, none are the work of native architects. Gandon, who built the Custom House and part of the Houses of Parliament, was a Frenchman; Cooly, who designed the Exchange and the Four Courts, was an Englishman;[145] Cassels, who did some of the best eighteenth-century work in Trinity College, was a German; Sir William Chambers, who designed the Theatre and the Chapel in Parliament Square, and who was perhaps the greatest British architect of the eighteenth century, was a Scotchman.[146] Nor does the architect, native or foreign, appear to have been held in honour at the University a hundred and fifty years ago. The very name of the designer of the admirable west front of the College is forgotten, unrecorded even in the College accounts; and the architect of the Provost’s House, who bore the very Saxon name of Smith, is stated to have received a fee of £22 15s. for his services. The art could scarcely flourish on such very slender patronage! But whoever the designers may have been, and however remunerated, the College builders of the seventeenth century must have been grossly incompetent. For though work of various kinds seems to have been in constant progress from 1592 to the beginning of the eighteenth century, we find in 1751 that many of the buildings had, from length of time, become ruinous, and were not even capable of being restored. Nor does any great improvement appear even in the eighteenth century. The new Dining Hall, put up in 1740, had to be taken down to prevent its tumbling about the students’ ears in 1750; and the Bell Tower, completed only in 1746, at a cost of nearly £4,000, was “removed” in 1791, as already, after a life of only five-and-forty years, it was “entirely unsafe.” But in the last half-century very different work has been done. The noble Campanile, erected in 1853, is at once admirable