Open Diapason, 8 feet. Stopt Diapason, 8 feet tone. Delicate Gamba, 8 (to tenor C only). Flute, 4 feet. Principal, 4 feet. Fifteenth, 2 feet. Mixture (bright tone), 3 ranks. Sesqui altera (soft tone), 3 ranks. Clarionet (to tenor C), 8 feet tone. Contra-fagotto, 16 feet (throughout). Trumpet, 8 feet. No. 3.--Old Choir Organ, by Green. Compass, GGG, 12 feet to E in Alt. Stopt Diapason, 8 Dulciana, 8 Principal, 4 Fifteenth, 2 No. 4.--Two Octaves and a third, in Compass (Pedal Organ) CC to E. Sub-Bass, 32 Double Open Diapason, 16 Double Stopt Diapason, 16 feet tone. Open Diapason, 8 feet. Among accessory stops, &c., may be counted three coupling actions, great b pedals, swell to pedals, swell to great organ, tremolo by a horizontal bar, three hand-levers for shifting stops of the great organ, labelled “_ff_,” “_mf_,” and “_p_.” The choir organ is placed behind the performer, like the “Ruck-positif” of Continental examples. In the ante-Chapel, on either side of the entrance door, are two slabs of white marble let into the wall, with the following names inscribed:--Fr. Sadleir, 1851; Ric. Macdonnell, 1867; Carol. Wall, 1862; Sam. Kyle, 1848; Henric. Wray, 1847; Thom. Prior, 1843; Steph. Sandes, 1842; Francis C. Hodgkinson, 1840; Bart. Lloyd, 1835; Richd. Murray, 1799; Gul. Newcome, 1800; Matt. Young, 1800; John Brinkley, 1835; Thom. Elrington, 1835; Geo. Hall, 1811; John Law, 1810. These are all buried within the precincts of the Chapel; and the slabs were put up by Provost Lloyd, when it was determined that intra-mural burial should cease. There are also in this wall ten mural tablets, with Latin inscriptions, to the memory of Henricus Wray, ob. 1846; George Hall, 1811; Thomas Elrington, 1835; Geo. Longfield, 1818; Stephen Creagh Sandes, 1842; Thos. Prior, 1843; Bartholomew Lloyd, 1837; Samuel Kyle, 1848; Sam. John McClean, 1829. The only inscription of any peculiar interest is to the memory of Bishop Newcome, and runs as follows:--