abounding in cherubs, heraldic mantlings, rococo scroll-work, all being surmounted by the Royal Arms.”[156] Another more modern legend connected with this Theatre may be worth recording. When George IV. visited Dublin, he was entertained, as it was fitting that he should be, by the University. And to make his way plainer from the Provost’s House to the Theatre, where the Degrees were conferred in his presence, a part of the wall of the apse facing the Provost’s House, where his Majesty was received, was removed, and the grand procession entered the Hall without the necessity of going round to the main doorway. The masonry on the outside of the Hall still bears evidence of the destruction and restoration that was necessitated by this most loyal smoothing of the path of the royal guest. One of the greatest improvements of recent times in the College precincts--a happy artistic inspiration--has been effected at comparatively small cost either of money or of trouble. In matters of art and taste, when the right thing is done, the result is commonly quite out of proportion to the material magnitude of the work. In the spring of 1892, the low granite wall, with its high iron railing, which ran from the north-east corner of the Library Buildings to the side of the Examination Hall, was moved back some fifty feet. As it stood before, it not only broke in upon the fine eastern façade of the Examination Hall, ninety feet in length, but it entirely concealed the lower story of the western end of the Library, and blocked up the main door of that building; and its lines were as meaningless and inappropriate as they are now harmonious and satisfactory. The actual amount of ground thus thrown into the quadrangle is only about five hundred square yards, or perhaps one-fiftieth part of the total area of the great square of the College. But it would be difficult to find a unit to express the magnitude of the improvement. THE CAMPANILE.