While this work was going on, bequests of £1,000 were left to build an ornamental front and tower at the west end of the old Hall; and the well-known architect, Cassels, did so, close to, but a little west of, the site of the present belfry, in 1745. In this the present great bell, cast at Gloucester in 1742, was hung.[80] The aspect of the court, therefore, upon entering the gate, was that of a small square, closed towards the east with a building much nearer than the present belfry. The centre of this east range had the ornamental front and belfry of Cassels’ design, which, according to the extant plan, must always have been ugly, and looks very top-heavy.[81] The north and south sides of this Front Square (built 1685) were of inferior character; while the small quadrangle beyond, on the south side, including the Provost’s lodging, was still the original structure of Queen Elizabeth’s time. The bell tower was taken down as unsafe, and the Hall removed, at the close of the century. We see, therefore, that in this great building period there were many serious mistakes made. There was so much work of the kind going on all through the city, that there must have been a scarcity of competent artisans, and much hurry. The buildings which remain are indeed solid and well finished; but when we attribute these characteristics to all the Dublin buildings of that date, we forget that their bad work has long since perished--what was done well and carefully is all that has remained. While Cassels was building his unsound tower, he erected another pretty building according to a bequest of Bishop Stearne--the Printing-House, from which issued in 1741 an edition of seven dialogues of Plato, in a good though much-contracted type (which is still preserved in the office), and on good paper, but disfigured by a portentous list of errata. The book is now rare, and in request among bibliographers. A few years later, neat editions of Latin Classics issued from the same press.