a magic golden apple, or, for that matter, a benevolent old lady pure
and simple. Sometimes, it is true, as with characters in a realistic
novel, the witch of fiction may pass for an impressionistic study of
the real witch. Thus in the famous story of Hänsel and Gretel she is
so far realistic as to desire the capture of small children. But,
instead of acting thus in the service and for the honour of her master
the Devil, she is moved by no nobler impulse than the desire to eat
them, and thus shows herself not a witch at all--for your true witch is
always altruistic--nothing better, indeed, than a greedy old cannibal.
Her methods, again, however creditable to their inventor, are by no
means such as would have commended themselves to the economical tastes
of her Satanic employer. The real witch was never yet provided with the
capital necessary to build herself houses of "sugar and spice and all
that's nice" either as residence or decoy. She lived notoriously in
hovels--unless, indeed, she had private means--and the profits of her
infernal bargain, even when she received them, were never sufficient
to provide her with more than the barest living. Grimm's cannibal,
with her roof of chocolate and walls of marzipan, might have been a
sorceress; she certainly was no witch.
More realistic, and thus all the more misleading, are the weird
sisters in Macbeth. Did we take them as representative types of
witchdom, we should be as much deceived as were he who, reading
nothing but newspapers, believed that English life was made up of
murders, divorces, political speeches and judicial witticisms. They
give us, indeed, an excellent impressionist idea of the witch as she
appeared in the public eye, some valuable recipes for potions, apt
illustrations of divinatory methods and so forth, but no suggestion
whatever of that quiet home life wherein the witch, like the British
public, passed most of her existence. No doubt she occasionally took
part in social reunions, in caverns or on blasted heaths, with Hecate
as the guest of the evening; no doubt she there interchanged ideas as
to the surest means of drowning sailors or ruining kingdoms. But these
were only paragraphs in the story of her life, very much as being
tried for murder or presented at Court are outstanding incidents in
the life-story of the average Briton. For the most part, she spent
her time in the quiet seclusion of her hovel, adding to her stock of
every-day poisons or giving interviews to the local peasantry. Of this
Shakespeare tells us nothing; to judge from the witches in Macbeth they
might have spent the whole of their time waiting about on Scottish
moorlands on the chance of making history.
Public-domain text, read in full here on John Shaqi.
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