The personal predilections of the Emperors did but reflect the many
and involved influences at work during the first four centuries after
Christ. Apart from the enduring influx of Eastern practices and
superstitions, Neo-Platonism was responsible for the revival of belief
in the supernatural as apart from the divine. The Alexandrian school,
discarding the old systems of philosophy, converted its study into
that of magic. The barbarians, again, were everywhere astir. The long
warrings between Rome and the Germans culminated in the 9th year of the
new era when the German Herman by his great victory over Varus brought
about the eventual liberation of his country. In 259 A.D. the Emperor
Gallienus married a barbarian princess and before the close of the
third century A.D. the Empire had become largely "barbarised" by the
Goths and Vandals who did it military service, and who, incidentally,
served to bolster up paganism and to introduce new features into it.
The Teutonic witch met her Roman sister, and introduced her to darker,
grimmer, and more vigorous conceptions of her art. The dreadful
pestilence which, in the third century, ravaged the Empire gave a new
popularity to the black arts, and the Roman witch was never more sought
after than in the years preceding the last and most violent persecution
of the Christians at the hands of Diocletian.
Persecuted or petted, the witch was never able to progress in the good
opinion of the Christian, whose protest against her existence was
steady and constant whatever his own fate or condition. As soon as the
last of his own persecutors had laid aside the sword, he at once seized
it and set to harassing the witch with a deserving vigour which has
never altogether relaxed.
Public-domain text, read in full here on John Shaqi.
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