The Booming of Acre Hill, and Other Reminiscences of Urban and Suburban LifeBangs, John Kendrick
General
The Booming of Acre Hill, and Other Reminiscences of Urban and Suburban Life
Bangs, John Kendrick
City and town life -- Fiction; Suburban life -- Fiction
"We won't refer to them," said Mrs. Upton, severely; "they are relics
of barbarism. But as for the ending of my romance, my real work now
begins. I must watch those two young people carefully and see that their
little quarrels are smoothed over, their irritations allayed, and that
every possible difference between them is adjusted."
"But you and I didn't quarrel when we were engaged," persisted Upton.
"No, we didn't, Henry," replied Mrs. Upton. "But that was only because
it takes two to make a quarrel, and I loved you so much that I was
really blind to all your possibilities as an irritant."
"Oh!" said Henry, reflectively.
III
A SET-BACK
"All is confounded, all!
Reproach and everlasting shame
Sits mocking in our plumes."
--_Henry V_.
Time demonstrated with great effectiveness the unhappy fact that Mrs.
Upton knew whereof she spoke when she likened an engagement to a
political campaign, in that the real battle begins after the nominations
are made. Walter Bliss had decided views as to life, and Miss Meeker was
hardly less settled in her convictions. Long before she had met Bliss,
in default of a real she had builded up in her mind an ideal man, which
at first, second, and even third sight Walter had seemed to her to
represent. But unfortunately there is a fourth sight, and the lover or
the _fiancée_ who can get beyond this is safe--comparatively safe, that
is, for everything in this world has its merits or its demerits,
comparatively speaking, and the comparison is more often than not made
from the point of view of what ought to be rather than of what really
is. Mrs. Upton was a realist--that is, she thought she was; and so was
Miss Meeker. Everybody looks at life from his or her own point of view,
and there must always be, consequently, two points of view, for there
will always be a male way and a female way of looking at things. Walter
was in love with his profession. Molly was in love with him as an
abstract thing. She knew nothing of him as a Washington fighting
measles; she was not aware whether he could combat tonsillitis as
successfully as Napoleon fought the Austrians or not, and it may be
added that she didn't care. He was merely a man in her estimation; a
thing in the abstract, and a most charming thing on the whole. He, on
the other hand, looked upon her not as a woman, but as a soul, and a
purified soul at that: an angel, indeed, without the incumbrance of
wings, was she, and with a rather more comprehensive knowledge of dress
than is attributed to most of angels. But two people cannot go on
forming an ideal of each other continuously without at some time
reaching a point of divergence, and Walter and Molly reached that point
within ten weeks. It happened that while calling upon her one evening
Walter received a professional summons which he admitted was all
nonsense--why should people call in doctors when it is "all nonsense"?
The call came while Walter was turning over the leaves at the piano as
Molly played.
Public-domain text, read in full here on John Shaqi.
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