The Boot and Shoe Manufacturers' Assistant and Guide.: Containing a Brief History of the Trade. History of India-rubber and Gutta-percha, and Their Application to the Manufacture of Boots and Shoes. Full Instructions in the Art, With Diagrams and Scales, Etc., Etc. Vulcanization and Sulphurization, English and American Patents. With an Elaborate Treatise on Tanning.
History
The Boot and Shoe Manufacturers' Assistant and Guide.: Containing a Brief History of the Trade. History of India-rubber and Gutta-percha, and Their Application to the Manufacture of Boots and Shoes. Full Instructions in the Art, With Diagrams and Scales, Etc., Etc. Vulcanization and Sulphurization, English and American Patents. With an Elaborate Treatise on Tanning.
Footwear industry; Gutta-percha; Rubber; Tanning
Make up a weak solution of soap containing a very small quantity of
glue, and immerse paper in it until it is wet through. Now take it out,
dip it into a solution of alum, and dry it.
The alum, gluten, gelatine, and soap unite together, and form an
insoluble compound, which coats every fibre of the textile fabric, and
when dry repels water like the natural oil in the feathers of a duck.
There are various substances which are soluble in water singly, but when
combined form insoluble compounds, and _vice versa_. Alum, soap, and
gelatine are soluble in water singly, but form insoluble compounds when
united chemically. Oil is insoluble in water singly, but combined with
caustic soda or potash it forms soluble soap. Such are some of the
useful curiosities of chemistry.
TO RENDER CANVAS WATER-PROOF.
Take 7 lbs. of soap and dissolve it in two gallons of water, and while
at the boiling heat add 3½ lbs. of the sulphate of zinc (white
copperas). The sulphuric acid of the salt combines with the alkali of
the soap, and the oxide of the salt combines with its oil and forms an
insoluble metallic soap, which, when cold, rises to the surface and has
the appearance of a white hard mass. This is afterwards re-boiled to
purify it. The next step to be taken is to boil 2⅛ gallons of linseed
oil along with one pound of potash until it assumes a soapy appearance.
The whole is now boiled along with two pounds of fine animal charcoal
and five quarts of water, which purifies the mixture, after an hour’s
boiling, when the whole is filtered and is of a clear color. About one
pound of sugar of lead (acetate) and one pound of rosin is mixed with
the oil, and boiled for one hour. Into this mixture is stirred at a
boiling heat, 2 lbs. of the metallic soap described above, and after it
is dissolved, about two quarts of India-rubber dissolved in turpentine
is added, and this completes the making of the mixture. This is put on
to the canvas with a brush at the heat of 160° Fah. Two coats will be
found sufficient to make it water-proof. More however may be applied.
Each coat should be allowed to dry before the other is put on. If
copperas be employed in this mixture, it will make it of a brown color,
and cobalt a blue.
To make leather water-proof, take equal quantities of the metallic soap
and raw linseed oil, mix them together, and place the liquid in at a
heat of 225° and suffer it to cool gradually. The leather should be
dried in the atmosphere, when it will be perfectly pliable. Any quantity
of the above may be made, so as the proportions are maintained.
This is a first rate composition for the purpose stated, and one to
which painters should give peculiar attention, so should the
manufacturers of glazed and patent leather.
JAPANNING LEATHER.
Public-domain text, read in full here on John Shaqi.
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