But the devotion of Fra Bonvicini of Pescia was not what Fra Francesco was reckoning with. He was willing, no doubt, to die a terrible death, but on condition that Savanarola died with him. What mattered to him the death of an obscure disciple like Fra Bonvicini? It was the master he would strike, the great teacher who must be involved in his own ruin. So he refused to enter the fire except with Savonarola himself, and, playing this terrible game in his own person, would not allow his adversary to play it by proxy. Then a thing happened which certainly no one could have anticipated. In the place of Fra Francesco, who would not tilt with any but the master, two Franciscan monks appeared to tilt with the disciple. These were Fra Nicholas de Pilly and Fra Andrea Rondinelli. Immediately the partisans of Savonarola, seeing this arrival of reinforcements for their antagonist, came forward in a crowd to try the ordeal. The Franciscans were unwilling to be behindhand, and everybody took sides with equal ardour for one or other party. All Florence was like a den of madmen; everyone wanted the ordeal, everyone wanted to go into the fire; not only did men challenge one another, but women and even children were clamouring to be allowed to try. At last the Signoria, reserving this privilege for the first applicants, ordered that the strange duel should take place only between Fra Domenico Bonvicini and Fra Andrea Rondinelli; ten of the citizens were to arrange all details; the day was fixed for the 7th of April, 1498, and the place the Piazza del Palazzo. The judges of the field made their arrangements conscientiously. By their orders scaffolding was erected at the appointed place, five feet in height, ten in width, and eighty feet long. This scaffolding was covered with faggots and heath, supported by cross-bars of the very driest wood that could be found. Two narrow paths were made, two feet wide at most, their entrance giving on the Loggia dei Lanzi, their exit exactly opposite. The loggia was itself divided into two by a partition, so that each champion had a kind of room to make his preparations in, just as in the theatre every actor has his dressing-room; but in this instance the tragedy that was about to be played was not a fictitious one.