The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of VegetationDarwin, Erasmus
History
The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation
Darwin, Erasmus
Natural history; Plants -- Poetry; Portland Vase
Mr. Galton has further observed that five successive prismatic colours
may be combined in such proportions as to produce but one colour, a
circumstance which might be of consequence in the art of painting. For
if you begin at any part of the circular spectrum above described, and
take the first, second, and third colours in the proportions in which
they exist in the spectrum; these will compose only the second colour
equal in quantity to the first, second, and third; add to these the
third, fourth, and fifth in the proportion they exist in the spectrum,
and these will produce the fourth colour equal in quantity to the third,
fourth, and fifth. Consequently this is precisely the same thing, as
mixing the second and fourth colours only; which mixture would only
produce the third colour. Therefore if you combine the first, second,
fourth, and fifth in the proportions in which they exist in the
spectrum, with double the quantity of the third colour, this third
colour will be produced. It is probable that many of the unexpected
changes in mixing colours on a painter's easle, as well as in more fluid
chemical mixtures, may depend on these principles rather than on a new
arrangement or combination of their minute particles.
Mr. Galton further observes, that white may universally be produced by
the combination of one prismatic colour, and a tint intermediate to two
others. Which tint may be distinguished by a name compounded of the two
colours, to which it is intermediate. Thus white is produced by a
mixture of red with blue-green. Of orange with indigo-blue. Of Yellow
with violet-indigo. Of green with red-violet. Of blue with Orange-red.
Of indigo with yellow-orange. Of violet with green-yellow. Which he
further remarks exactly coincides with the theory and facts mentioned by
Dr. Robert Darwin of Shrewsbury in his account of ocular spectra; who
has shewn that when one of these contrasted colours has been long
viewed, a spectrum or appearance of the other becomes visible in the
fatigued eye. Philos. Trans. Vol. LXXVI. for the year 1786.
These experiments of Mr. Galton might much assist the copper-plate
printers of callicoes and papers in colours; as three colours or more
might be produced by two copper-plates. Thus suppose some yellow figures
were put on by the first plate, and upon some parts of these yellow
figures and on other parts of the ground blue was laid on by another
copper-plate. The three colours of yellow, blue, and green might be
produced; as green leaves with yellow and blue flowers.
NOTE III.--COLOURED CLOUDS.
_Eve's silken couch with gorgeous tints adorn,
Or fire the arrowy throne of rising morn._
CANTO I. l. 119.
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