The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of VegetationDarwin, Erasmus
History
The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation
Darwin, Erasmus
Natural history; Plants -- Poetry; Portland Vase
When a steel spring is forcibly bent till it break, it requires less
power to bend it through the first inch than the second, and less
through the second than the third; the same I suppose to happen if a
wire be distended till it break by hanging weights to it; this shews
that the particles may be forced from each other to a small distance by
less power, than is necessary to make them recede to a greater distance;
in this circumstance perhaps the attraction of cohesion differs from
that of gravitation, which exerts its power inversely as the squares of
the distance. Hence it appears that if the innermost particles of a
steel bar, by cooling the external surface first, are kept from
approaching each other so nearly as they otherwise would do, that they
become in the situation of the particles on the convex side of a bent
spring, and can not be forced further from each other except by a
greater power than would have been necessary to have made them recede
thus far. And secondly, that if they be forced a little further from
each other they separate; this may be exemplified by laying two magnetic
needles parallel to each other, the contrary poles together, then
drawing them longitudinally from each other, they will slide with small
force till they begin to separate, and will then require a stronger
force to really separate them. Hence it appears, that hardness and
brittleness depend on the same circumstance, that the particles are
removed to a greater distance from each other and thus resist any power
more forcibly which is applied to displace them further, this
constitutes hardness. And secondly, if they are displaced by such
applied force they immediately separate, and this constitutes
brittleness.
Steel may be thus rendered too brittle for many purposes, on which
account artists have means of softening it again, by exposing it to
certain degrees of heat, for the construction of different kinds of
tools, which is called tempering it. Some artists plunge large tools in
very cold water as soon as they are compleatly ignited, and moving it
about, take it out as soon as it ceases to be luminous beneath the
water; it is then rubbed quickly with a file or on sand to clean the
surface, the heat which the metal still retains soon begins to produce a
succession of colours; if a hard temper be required, the piece is dipped
again and stirred about in cold water as soon as the yellow tinge
appears, if it be cooled when the purple tinge appears it becomes fit
for gravers' tools used in working upon metals; if cooled while blue it
is proper for springs. Nicholson's Chemistry, p. 313. Keir's Chemical
Dictionary.
MODERN PRODUCTION OF IRON.
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