The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of VegetationDarwin, Erasmus
History
The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation
Darwin, Erasmus
Natural history; Plants -- Poetry; Portland Vase
The precipitates of gold, and the colcothar or other red preparations of
iron, are called _tender_ colours. The heat must be no greater than is
just sufficient to make the enamel run upon the piece, for if greater,
the colours will be destroyed or changed to a different kind. When the
vitreous matter has just become fluid it seems as if the coloured
metallic calx remained barely _intermixed_ with it, like a coloured
powder of exquisite tenuity suspended in water: but by stronger fire the
calx is _dissolved_, and metallic colours are altered by _solution_ in
glass as well as in acids or alcalies.
The Saxon mines have till very lately almost exclusively supplied the
rest of Europe with cobalt, or rather with its preparations, zaffre and
smalt, for the exportation of the ore itself is there a capital crime.
Hungary, Spain, Sweden, and some other parts of the continent, are now
said to afford cobalts equal to the Saxon, and specimens have been
discovered in our own island, both in Cornwall and in Scotland; but
hitherto in no great quantity.
Calces of cobalt and of copper differ very materially from those above
mentioned in their application for colouring enamels. In those the calx
has previously acquired the intended colour, a colour which bears a red
heat without injury, and all that remains is to fix it on the piece by a
vitreous flux. But the blue colour of cobalt, and the green or bluish
green of copper, are _produced_ by vitrification, that is, by _solution_
in the glass, and a strong fire is necessary for their perfection. These
calces therefore, when mixed with the enamel flux, are melted in
crucibles, once or oftener, and the deep coloured opake glass, thence
resulting, is ground into unpalpable powder, and used for enamel. One
part of either of these calces is put to ten, sixteen, or twenty parts
of the flux, according to the depth of colour required. The heat of the
enamel kiln is only a full red, such as is marked on Mr. Wedgwood's
thermometer 6 degrees. It is therefore necessary that the flux be so
adjusted as to melt in that low heat. The usual materials are flint, or
flint-glass, with a due proportion of red-led, or borax, or both, and
sometimes a little tin calx to give opacity.
Public-domain text, read in full here on John Shaqi.
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