The Boy's Book of New InventionsMaule, Harry E. (Harry Edward)
History
The Boy's Book of New Inventions
Maule, Harry E. (Harry Edward)
Inventions
Here is where the receiver did its work, and the problem was a far
more difficult one than the working out of the transmitter, for the
waves as received were too weak in themselves to register a dot
or a dash. In Marconi's first instruments he used a device called
the "coherer." This was a glass tube about as big around as a lead
pencil, and perhaps two inches long. It was plugged at each end with
silver, and the narrow space between the plugs was filled with finely
powdered fragments of nickel and silver, which possess the strange
property of being alternately very good and very bad electrical
conductors. The waves in Marconi's first experiments were received
on a suspended kite wire, exactly similar to the wire used in the
transmitter, but they were so weak that they could not of themselves
operate an ordinary telegraph instrument. They possessed strength
enough, however, to draw the little particles of silver and nickel
in the coherer together in a continuous metal path. In other words,
they made these particles "cohere," and the moment they cohered they
became a good conductor for electricity, and a current from a battery
near at hand rushed through the connection, operated the Morse
instrument, and caused it to print a dot or a dash; then a little
tapper, actuated by the same current, struck against the coherer, the
particles of metal were broken apart, becoming a poor conductor, and
cutting off the current from the home battery.
In Marconi's early experiments there was little or no attempt at
tuning the instruments for waves of certain lengths, but this art has
been developed to a high state in modern wireless telegraphy and we
shall see how the operator tunes his instruments to talk to any one
special station.
The distinguishing feature of the modern wireless transmitter, now
familiar to every boy who has ever taken a trip aboard a large ship,
or attended an electrical show, as it was in the old days, is the
"crack, crack, cr-r-r-ack, crack" of the spark as it flickers between
the brass knobs of the instrument, as the operator pounds away at
his key. In some of the great high-power land stations, where long
distance work is done the crash of the spark is like that of thunder,
the flame is as big around as a man's wrist and of such intensity
that it could not be looked at with unshaded eyes. On ships where the
crash is too loud it has become necessary to cover the spark gap with
a wooden muffler so as to deaden the noise.
While the simple spark gap of the early Marconi instruments was
enough to send out the Hertzian waves, the modern transmitter is a
marvel of electrical construction utilizing as it does the latest
discoveries in electrical apparatus.
Public-domain text, read in full here on John Shaqi.
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