Heat a brick, and then throw upon it a few grains of iodine; by holding a sheet of white paper behind, the splendid violet colour of the vapour is seen to great advantage. It was by the discovery of iodine in the ashes of sponge--which had long been used as a remedy for goitre, a remarkable glandular swelling--that this element began to be used for medical purposes, and the important salt called iodide of potassium is now used in large quantities, not only in medicine, but likewise for that most fascinating art, which has made its way steadily, and is now practised so extensively, under the name of _photography_. [Page 138] THE ART OF PHOTOGRAPHY. It was the great George Stephenson who asked the late Dean Buckland the posing question, "Can you tell me what is the power that is driving that train?" alluding to a train which happened to be passing at the moment. The learned dean answered, "I suppose it is one of your big engines." "But what drives the engine?" "Oh, very likely a canny Newcastle driver." "What do you say to the light of the sun?" "How can that be?" asked Buckland. "It is nothing else," said Stephenson. "It is light bottled up in the earth for tens of thousands of years; light, absorbed by plants and vegetables, being necessary for the condensation of carbon during the process of their growth, if it be not carbon in another form; and now, after being buried in the earth for long ages in fields of coal, that latent light is again brought forth and liberated, made to work--as in that locomotive--for great human purposes." Such was the opinion of the most original and practical man that ever reasoned on philosophy; and could he have lived to realize the thorough adaptation and business use of light in the art of photography, he would have said, man is only imitating nature, and in producing photographs he must employ the same agent which in ages past assisted to produce the coal. In another part of this elementary work we shall have to consider the nature of light; here, however, the chemical part only of the process of photography will be discussed. Many years ago (in the year 1777) Jenny Lind's most learned countryman, Scheele, discovered that a substance termed chloride of silver, obtained by precipitating a solution of chloride of silver with one of salt, blackened much sooner in the violet rays than in any other part of the spectrum. He says, "Fix a glass prism at the window, and let the refracted sunbeams fall on the floor; in this coloured light put a paper strewed with luna cornua (horn silver or chloride of silver), and you will observe that this horn silver grows sooner black in the violet ray than in any of the other rays."