A photogenic drawing, so called, but now termed _a positive copy_, is prepared by placing some carefully selected paper, which is free from spots or inequalities (good paper is now made by several English manufacturers, although some kinds of French paper, such as Cansan's, are in high repute), in a square white hard porcelain dish containing a solution of common salt in distilled water, 109 grains of salt to the pint. The paper is steeped in this solution for ten minutes, and then taken out and pressed in a _clean_ wooden press, or it should be dabbed dry on a _clean_ flat surface with a _clean_ piece of white calico, which may be kept specially for this duty and not used for anything else, and it is well that all would-be photographers should understand that neatness and cleanliness are perfectly indispensable in conducting these processes. If a design were required for the armorial bearings of the art of photography, it might certainly be most fanciful, but the motto must be _cleanliness_ and _neatness_, and in preparing paper it should not be unnecessarily handled, but lifted by the corners only. The object of dabbing the paper is to prevent the salt accumulating in large quantities in one part of the paper and the reverse in another, and to distribute the salt equally through the whole. The paper being now dried, is called salted paper, and is rendered sensitive when required by laying it down on a solution of ammonio-nitrate of silver, prepared by adding ammonia to a solution containing sixty grains of nitrate of silver to the ounce of distilled water, until the whole of the oxide of silver is re-dissolved, except [Page 140] a very small portion. A few drops of nitric acid are also recommended to be added, and after allowing the solution to stand, it may be poured off quite clear, and is ready for use either in the bath, or if economy must be rigidly adhered to, the salted paper may be laid flat on a board, and held in its place with four pins at the corners, and then just enough to wet the surface of the paper may be run along the side of a glass spreader, and the liquid gently drawn over the surface of the salted paper, which is allowed to dry on a flat surface for a few minutes, and afterwards hung up by one corner to a piece of tape stretched across the room, until quite dry, and then placed in a blotting-book fitting into a case which completely excludes the light. Copying-paper should be made at night, as the day is then free for all photographic operations requiring an abundance of light. It will not keep long, and should be used the next day. [Illustration: Fig. 137. A. The glass spreader with cork handle. B. The silver solution clinging to rod and paper by capillary attraction. C C C C. Four pins holding down the paper on a board.--N.B. The spreader is made of glass rod three-eighths thick.]