The Boy's Playbook of Science: Including the Various Manipulations and Arrangements of Chemical and Philosophical Apparatus Required for the Successful Performance of Scientific Experiments in Illustration of the Elementary Branches of Chemistry and Natural PhilosophyPepper, John Henry
Science
The Boy's Playbook of Science: Including the Various Manipulations and Arrangements of Chemical and Philosophical Apparatus Required for the Successful Performance of Scientific Experiments in Illustration of the Elementary Branches of Chemistry and Natural Philosophy
Pepper, John Henry
Science -- Juvenile literature
If this article on light and optics had gone minutely into the
mathematical and purely scientific portion of the subject, we should
have had frequent occasion to mention the name of Sir David Brewster, a
distinguished philosopher, whose name is peculiarly identified with this
interesting branch of physics. It is always pleasing to find men of such
standing not only devoting themselves to arguments which college
wranglers would study with pleasure, but also descending to a lower
level, and inventing optical instruments that delight and amuse the
non-scientific and juvenile part of the community. The names of Sir
David Brewster and Professor Wheatstone have been connected during the
last few years with the invention of the stereoscope, an instrument
[Page 298] that will be noticed in another part of this book, but here
we shall describe one of the most original optical instruments ever
devised, and although it is now regarded as a mere toy, its merits are
very great. The title of the instrument is borrowed from the Greek
[Greek: _kalos_], beautiful, [Greek: _eidos_], a form or appearance,
[Greek: _skopeô_], to see; and the public certainly endorsed the name
when they purchased 200,000 of these instruments in London and Paris
during the space of three months. It is said that the sensation it
excited in London, throughout all ranks of the community, was
astonishing, and people were everywhere seen, even at the corners of the
streets, looking through the kaleidoscope. The essential parts of this
instrument are two mirrors of unsilvered black parallel glass, or plate
glass painted black on one side, which should be from six to ten inches
in length, and from one inch to an inch and a half in breadth at the
object end, while they are made narrower at the other end, to which the
eye is applied. The mirrors are united at their lower edges by a strip
of black calico fixed with common glue, and are left open at the upper
edges, and retained at the proper angle by a bit of cork properly
blackened. The angles are 36°, 30°, 25°-5/7, 22½°, 20°, 18°, which
divide the circumference into 10, 12, 14, 16, 18, 20 parts, thus 36 × 10
= 360, or 18 × 20 = 360, and the strictest attention must be paid to
this part of the adjustment, or the figures produced will not be
symmetrical. After the mirrors are adjusted to [Page 298] the proper
angle, the space between the two upper edges should be covered across
with black velvet and the mirrors placed in a tin or brass tube, so that
the broad ends shall barely project beyond the end, while the narrow end
is placed so that the angle formed by the junction of the mirrors shall
be a little below the middle of that end of the tube. A cover with a
circular aperture in the centre is then to be fitted to the narrow end
of the mirrors, which should in general be furnished with a convex lens
whose focal length is an inch or two greater than the length of the
mirrors. A case for holding the objects, and for communicating to them a
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account