The Boy Travellers in the Far East, Part Fifth: Adventures of Two Youths in a Journey through AfricaKnox, Thomas Wallace
General
The Boy Travellers in the Far East, Part Fifth: Adventures of Two Youths in a Journey through Africa
Knox, Thomas Wallace
Africa -- Description and travel -- Juvenile literature; Africa, Central -- Description and travel -- Juvenile literature
Frank found his sketch was a work of difficulty, as the natives crowded
around and watched each stroke of the pencil with feverish anxiety, and
with many expressions of wonder. Two of the attendants, armed with
spears, were in front of the hut where he was occupied with his drawing;
they kept up an incessant chatter in a language he could not understand,
but their frequent glances in his direction showed that he was the
subject of conversation. When he had finished one of them examined the
sketch with great care, and immediately started for the palace, with the
intention, no doubt, of informing his royal master what the young man
had been doing.
The natives displayed a great deal of curiosity: they not only examined
all inanimate things belonging to the party, but pulled at their
clothing, took their caps from their heads, and were never weary of
pulling at their hair, as if wishing to ascertain what made it so free
from kinks. It was frequently necessary to repress their eagerness; but
everything was done with such good-nature that it was difficult to get
angry with them. Frank suggested that they shut the gates of their
zeriba and admit nobody unless he had business inside; but the Doctor
said it would be best not to do so. There would be a better chance of
studying the people if they could come and go as they liked, and,
besides, it would make a more favorable impression on the king, who
would certainly be informed of all that occurred.
[Illustration: A WARRIOR OF UGUNDA.]
While Frank made his sketch of the hill of Rubaga, Fred induced one of
the warriors to stand for his portrait, which the youth put upon paper,
the man remaining motionless as a statue for at least half an hour.
Under the drawing he wrote the following notes:
"He is a handsome, well-formed negro, not an inch less than six feet in
height, and with a head that resembles John M'Cullough dressed for
Othello. His left arm is quite bare, and supports the triangular shield
which is a part of his military equipment. It is a light frame, covered
with dried hide and decorated with pieces of monkey-skin, to which the
hair still clings. Knotted and fastened over his right shoulder he has
two garments like cloaks; one is made of bark-cloth of a yellowish
color, and the other of the skins of very young antelopes, sewn together
as skilfully as the best operator of New York or London could perform
the work. His ankles are encircled with rings of brass wire, his hair is
closely cut, with a parting on one side, and his feet are without shoes.
He has two spears over his right shoulder, as his official position
requires him to be armed in this way. The customary weapon of the
Wagunda, as the people of the country are called, is a single spear; and
a person of any rank whatever would injure his reputation if he went
abroad without it."
Public-domain text, read in full here on John Shaqi.
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