"'While they were consulting what to do with it, a man entered whose business it was to collect and sell waste paper, and they showed him the teapot with a view of disposing of it to him if possible. He observed their eagerness, and offered a much lower price than it was worth; but as it was now considered a disagreeable thing to have in the temple, they let him have it at his own price. He took it and hastily carried it away. He reached his home greatly pleased with his bargain, and looking forward to a handsome profit the next day, when he would sell it for what it was worth. "'Night came on, and he lay down to rest. Covering himself with his blankets, he slept soundly. "'But near the middle of the night the teapot changed itself into the form of a badger, and came out of the waste paper, where it had been placed. The merchant was aroused by the noise, and caught the teapot while it was in flight. By treating it kindly he soon gained its confidence and affection. In the course of time it became so docile that he was able to teach it rope-dancing and other accomplishments. "'The report soon spread that Bumbuku Chagama had learned to dance, and the merchant was invited to go to all the great and small provinces, where he was summoned to exhibit the teapot before the great daimios, who loaded him down with gifts of gold and silver. In course of time he reflected that it was only through the teapot, which he had bought so cheap, that he became so prosperous, and felt it his duty to return it again, with some compensation, to the temple. He therefore carried it to the temple, and, telling the chief priest of his good fortune, offered to restore it, together with half the money he had gained. [Illustration: TELLING THE STORY OF BUMBUKU CHAGAMA.] "'The priest was well pleased with his gratitude and generosity, and consented to receive the gifts. The badger was made the tutelary spirit of the temple, and the name of Bumbuku Chagama has remained famous in Morin-je to this day, and will be held in remembrance to the latest ages as a legend of ancient time.' "This is the fairy story," Fred continued, "which we saw on the stage; but it was varied somewhat in the acting, as the badger at times took the form of a woman, and afterwards that of a badger again, as I have already told you. A good deal of the acting was in pantomime, and in the scene where they are all trying to catch the teapot as it flies around the room they had quite a lively dance. We enjoyed the play very much, but I don't care to go again till I know something about the Japanese language. And a well-cushioned chair would add to the comfort of the place." CHAPTER XVII. A STUDY OF JAPANESE ART.