The Boy Travellers in the Far East [Part First]: Adventures of Two Youths in a Journey to Japan and ChinaKnox, Thomas Wallace
General
The Boy Travellers in the Far East [Part First]: Adventures of Two Youths in a Journey to Japan and China
Knox, Thomas Wallace
China -- Description and travel -- Juvenile literature; Japan -- Description and travel -- Juvenile literature
"Of course, you will want to know if the Japanese women are pretty. Now,
you mustn't be jealous when I say they are. Fred thinks so too, and you
know it won't do for me to have a quarrel with Fred when we are
travelling together, and especially when I think he's right. They are
all brunettes, and have sharp, bright eyes, full of smiles, and their
skins are clear and healthy. They look very pleasant and happy; and they
have such sweet, soft voices that nobody could help liking them even if
he didn't want to. They have such nice manners, too, that you feel quite
at your ease in their company. They may be wishing you ten thousand
miles away, and saying to themselves that they hate the sight of a
foreigner; but if they do, they manage to conceal their thoughts so
completely that you can never know them. You may say this is all
deception, and perhaps it is; but it is more agreeable than to have them
treat you rudely, and tell you to get out of the way.
[Illustration: LADIES AT THEIR TOILET.]
"There are women here who are not pretty, just as there are some in
America; but when you are among them, it isn't polite to tell them of
it. Some of them paint their faces to make them look pretty. I suppose
nobody ever does anything of the kind in America or any other country
but Japan, and therefore it is very wicked for the Japanese ladies to do
so. And when they do paint, they lay it on very thick. Mr. Bronson calls
it kalsomining, and Fred says it reminds him of the veneering that is
sometimes put on furniture to make pine appear like mahogany, and have
an expensive look, when it isn't expensive at all. The 'geishas,' or
dancing and singing girls, get themselves up in this way; and when they
have their faces properly arranged, they must not laugh, for fear that
the effort of smiling would break the coating of paint. And I have heard
it said that the covering of paint is so thick that they couldn't smile
any more than a mask could; and, in fact, the paint really takes the
place of a mask, and makes it impossible to recognize anybody through
it.
Public-domain text, read in full here on John Shaqi.
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