The Boy Travellers in the Far East, Part Fourth: Adventures of Two Youths in a Journey to Egypt and the Holy LandKnox, Thomas Wallace
General
The Boy Travellers in the Far East, Part Fourth: Adventures of Two Youths in a Journey to Egypt and the Holy Land
Knox, Thomas Wallace
Egypt -- Description and travel -- Juvenile literature; Palestine -- Description and travel -- Juvenile literature
Boulak is the port of Cairo, as the great city does not stand on the
banks of the Nile, but a couple of miles away from it. Before the days
of the railway Boulak was a place of considerable importance, as it was
the point of arrival and departure for the steamers plying between Cairo
and Alexandria, and at the present day it is the station for steamers
ascending the Nile. It was chosen as the site of the Museum of
Antiquities on account of the convenience of landing statues and other
heavy objects directly from the boats that had brought them down the
river, and the museum was erected on the very bank of the stream. But
the position was found insecure, on account of the tendency of the Nile
to change its channel, and for several years the safety of the treasures
accumulated under the direction of Mariette Bey has been seriously
threatened.
[Illustration: EGYPTIAN SCULPTORS AT WORK.]
Our friends passed through the gate-way, and found themselves in a
garden filled with large statues and sphinxes. Their attention was
attracted to the colossal statue of a king in a sitting posture, and
close to it were several sphinxes. The Doctor explained that the figure
represented one of the kings of the twelfth dynasty. Some of the
sphinxes came from Karnak, and once formed part of the great avenue
leading to the temple, while others were from Tanis and Sakkara. The
statue of the king was of solid granite and admirably carved, leaving no
doubt that the Egyptians were well advanced in the art of the sculptor.
On the walls of the temples at Karnak there are several pictures that
show how the makers of royal statues performed their work, and the
methods in vogue seem to have been almost identical with those of modern
sculptors.
We have neither time nor space for describing all that our friends saw
in the museum, and can only refer to the objects of greatest importance.
As they had talked about the Rosetta Stone, and the key it gave to the
translation of the language of the ancient Egyptians, the Doctor led the
way to the "Tablet of Tanis," in the first hall of the museum, and told
the youths to observe it closely.
"It is," he explained, "a more perfect stone than the one found at
Rosetta, as it is in a fine state of preservation, while the Rosetta one
was badly defaced. Here is a decree in three languages--Greek,
hieroglyphic, and demotic--and the translation confirms the correctness
of Champollion's theory, which I have already explained. It was found in
1866 by Doctor Lepsius, and you see that it is regarded of great
importance, as it is framed and covered with glass to protect it from
possible injury."
Frank asked what was the language of the decree, and how old it was.
Public-domain text, read in full here on John Shaqi.
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