Pythagoras of Rhegium, in Italy, excelled him in the figure of the Pancratiast which is now at Delphi. Pythagoras also executed the statue of Astylos, the runner, which is exhibited at Olympia; that of a Libyan boy holding a tablet, also in the same place; and a nude male figure holding fruit. There is at Syracuse a figure of a lame man by him: persons, when looking at it, seem to feel the very pain of his wound. He was the first artist who gave expression to the sinews and the veins, and paid more attention to the hair. There was also another Pythagoras, a Samian, who was originally a painter, seven of whose nude figures, in the Temple of Fortune, and one of an aged man, are very much admired. He is said to have resembled the last-mentioned artist so much in his features, that they could not be distinguished. Lysippus was most prolific in his works, and made more statues than any other artist. Among these, is the Man using the Body-scraper, which Marcus Agrippa had erected in front of his Warm Baths, and which wonderfully pleased the Emperor Tiberius. This prince, although in the beginning of his reign he imposed some restraint upon himself, could not resist the temptation, and had this statue removed to his bed-chamber, having substituted another for it at the baths: the people, however, were so resolutely opposed to this, that at the theatre they clamorously demanded the Apoxyomenos to be replaced; and the prince, notwithstanding his attachment to it, was obliged to restore it.