Among the Romans this art very soon rose into esteem, the Fabii, a most illustrious family, deriving from it their surname of “Pictor;” the first of the family who bore it, himself painted the Temple of Health, in the year of the City, 450; a work which lasted to our own times, but was destroyed when the temple was burnt, in the reign of Claudius. Next in celebrity were the paintings of the poet Pacuvius, in the Temple of Hercules, in the Cattle Market: he was a son of the sister of Ennius, and the fame of the art was enhanced at Rome by the success of this artist on the stage. After this period, the art was no longer practised by men of rank; unless we except Turpilius, in our own times, a native of Venetia, and of equestrian rank, several of whose beautiful works are still in existence at Verona. He painted, too, with his left hand, a thing never known to have been done by any one before.[228] Titidius Labeo, a person of prætorian rank, who had been formerly proconsul of the province of Gallia Narbonensis, and who lately died at a very advanced age, used to pride himself upon the little pictures which he executed, but it only caused him to be ridiculed and sneered at. I must not omit to mention a celebrated consultation upon the subject of painting, which was held by some persons of the highest rank. Q. Pedius, who had been honored with the consulship and a triumph, and who had been named by the Dictator Cæsar as co-heir with Augustus, had a grandson, dumb from his birth, whom the orator Messala, to whose family his grandmother belonged, recommended to be brought up as a painter. He died, however, in his youth, after having made great progress in the art. But the high estimation in which painting came to be held at Rome, was principally due, in my opinion, to Valerius Maximus Messala, who, in the year of the City, 490, was the first to exhibit a painting to the public; a picture, namely, of the battle in which he had defeated the Carthaginians and Hiero in Sicily, upon one side of the Curia Hostilia. The same thing was done, too, by Lucius Scipio, who placed in the Capitol a painting of the victory which he had gained in Asia; but his brother Africanus was offended at it, for his son had been taken prisoner in the battle. Lucius Hostilius Mancinus, who had been the first to enter Carthage at the final attack, gave a similar offence to Æmilianus, by exposing in the Forum a painting of that city and the attack upon it, he himself standing near the picture, and describing to the spectators the various details of the siege; a piece of complaisance which secured him the consulship at the ensuing Comitia. The stage which was erected for the games celebrated by Claudius Pulcher, brought the art of painting into great admiration, for the ravens were so deceived by the resemblance, as to light upon the decorations which were painted in imitation of tiles.